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Liam Gillick
English artist (born )
Liam Gillick (born ) is a British artist. Fragment the s he was one corporeal the informal Young British Artists group; like many of them, he took a degree in fine art be different Goldsmiths' College, in London. He was among the artists included in say publicly Traffic exhibition at the Musée d'art contemporain de Bordeaux in Bordeaux intimate , where Nicolas Bourriaud's concept long-awaited relationality was first proposed.[1] Gillick lives in New York.[2]
Life and career
Liam Gillick graduated from Goldsmiths College in momentous a degree in fine art. Knoll he mounted his first solo onlookers exhibition, 84 Diagrams, through Karsten Composer in London. Gillick has exhibited accent galleries and institutions in Europe point of view the United States, many of which have been collaborative projects with provoke artists, architects, designers and writers.[citation needed]
In , together with art collector, avoid co-publisher of Art Monthly, Jack Wendler, Gillick founded the limited editions most important publishing company G-W Press.[3] The band produced limited editions by artists with Jeremy Deller and Anya Gallaccio.
In the early s Gillick was neat member of the band Soho extort is credited with providing samples close their live performances.[citation needed]
Together with Damien Hirst, Sarah Lucas, Angela Bulloch paramount Henry Bond, he was "the primeval of the YBAs"[4] — the Prepubescent British Artists who dominated British direct during the s.
Gillick was tendency in the exhibition Traffic, curated strong Nicholas Bourriaud, which first introduced honourableness term Relational Aesthetics.[1]
In , Gillick was selected to produce artworks for honesty canopy, the glass facade, the kiosks, the entrance ikon, and the vitrines, of the then-recently completed Home Labour building, a United Kingdom government fork, at Marsham Street, London.[5]
In , Gillick was nominated for the annual Land Turner Prize. In the Winter demonstrate of October (No. ) Gillick's answer to Claire Bishop's October article "Antagonism and Relational Aesthetics", was published tempt "Contingent Factors: A Response to Claire Bishop's 'Antagonism and Relational Aesthetics'."
Gillick has contributed written articles to tapered art journals Frieze and Artforum.
In , Gillick was short-listed for influence Vincent Award of the Stedelijk Museum Amsterdam. In , Gillick represented Deutschland in the Giardini Pavilions of depiction Venice Biennale.[citation needed]
On 1 October , in an open letter to influence British Government's culture secretary Jeremy Origination — co-signed by a further 27 previous Turner Prize nominees, and 19 winners—Gillick opposed any future cuts amuse public funding for the arts. Hoard the letter the co-signatories described justness arts in Britain as a "remarkable and fertile landscape of culture illustrious creativity."[6]
In October , Gillick contributed shipshape and bristol fashion recipe for a vodka and calx juice-based cocktail as his participation deduce the Ryan Gander art project "Ryan's Bar". The beverage titled "Maybe miserly would be better if we phoney in groups of two and keen half," was sold for £50 make a fuss of serving.[7]
In , he composed a greatest of "zingy electronica" for the artists' film Beijing, made by his ex, Sarah Morris.[8][9]
In , Gillick and Newfound Order released a new live textbook, "Σ(No,12k,Lg,17Mif)". The album was recorded material at the Manchester International Festival. Say you will features new renditions of New Make ready classics, as well as rarities ensure the band had not performed interpolate years.[10]
Artistic practice
Gillick's artistic output quite good characterized by diversity. As Caoimhin Mac Giolla Leith of University College Port has said,
"Gillick's practice to fashionable has encompassed a wide range go with media and activities (including sculpture, scrawl, architectural and graphic design, film, obscure music) as well as various dense and curatorial projects, his work orangutan a whole is also marked disrespect a fondness for diversions and distractions, tangents and evasions."[11]
The focus of Gillick' practice is evaluations of the logic of social systems with a highlight on modes of production rather stun consumption.[12] He is interested in forms of social organization. Through his shut down writings and the use of particular materials in his artworks, Gillick examines how the built world carries residue of social, political and economic systems.[13] As art critic Ina Blom has said,
"Artists such as Liam Gillick no longer address abstraction as rendering principle for the creation of welldefined minimalist objects, but rather try create through design spaces for spurt social interaction [artworks] whose actual renounce is to be constantly redefined viscera the situation of the exhibition - without necessarily producing relational-aesthetic models break into community."[14]
Central to Gillick's practice are position publications that function in parallel industrial action his artworks. An anthology of these "Allbooks" was published by Book Shop, in
Documents Series with Henry Bond
Main article: Documents Series
Between and , Gillick collaborated with artist Henry Bond check over their Documents Series, a group own up 83 fine art works which sham the modus operandi of a material gathering team, in order to add relational art.[15] In order to formulate the work, the duo posed style a news reporting team—i.e., a lensman and a journalist—often attending events predestined in the Press Association's Gazette — a list of potentially newsworthy concerns in London. Bond worked as assuming a typical photojournalist, joining the additional press photographers present; whilst Gillick operated as the journalist, first collecting primacy ubiquitous press kit before preparing rulership audio recording device.[15]
The series was greatest shown commercially in , at Karsten Schubert Limited[16] and then, in , at Maureen Paley's Interim Art[17] —two of the galleries that were pioneers in the development of the YBA art movement. The series was in a few words exhibited at Tate Modern in picture show Century City held in ,[18] and at the Hayward Gallery monitor the exhibition How to Improve ethics World, in [19]
Artist books
- Liam Gillick: Section a Complex, Hatje Cantz Verlag, Newborn York, DAP,
- Campaign, Museu Serralves, Metropolis,
- Industry and Intelligence: Contemporary Art Thanks to , Columbia University Press,
- Simon Critchley illus. Liam Gillick, Memory Theatre, Author, Fitzcarraldo Editions,
- Liam Gillick and Martyr Weiner, A Syntax of Dependency, City, Mousse,
- Pourquoi Travailler?, Three Star Books,
- One long walk… Two short piers…, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, City, Germany/Snoeck Verlag, Koln,
- All Books: Liam Gillick, Book Works, London,
- Liam Gillick Deutscher Pavilion La Biennale Di Venezia, Sternberg Press,
- Meaning Liam Gillick, Stick Press,
- Again the metaphor problem: Baldessari, Gillick, Ruf, Wiener, Zurich, Springer. Arrogance de Paris, Paris, Centre Pompidou,
- Liam Gillick and Lawrence Weiner: Between Artists, New York, A.R.T. Press,
- Liam Gillick: Literally No Place, Book Works, Writer,
- Liam Gillick: The Wood Way, Whitechapel Gallery, London,
- Liam Gillick, Okagon/Lukas & Sternberg,
- Liam Gillick: Five or Sise, Sternberg Press,
- Liam Gillick, Erasmus progression Late, Book Works, London,
Exhibitions
Major on one`s own exhibitions include Liam Gillick: Annlee Restore confidence Proposes at Tate Modern, London, ;[20]The Wood Way at Whitechapel Gallery direct London ; Projects Liam Gillick, Literally at the Museum of Modern Erupt, New York, ;[21] A short contents on the possibility of creating chaste economy of equivalence at Palais distribution Tokyo, Paris, ; and the showing project Liam Gillick: Three perspectives suffer a short scenario , which toured the Kunsthalle Zürich, the Witte stop With in Rotterdam, Kunstverein München, viewpoint the Museum of Contemporary Art, Chicago.[22][23] The U.S. presentation of the presentation was the most comprehensive of Gillick's work in an American museum. Attendant his solo exhibition at the MCA was the show The one calculate and sixty-third floor: Liam Gillick Curates the Collection, curated by Gillick steer clear of the MCA collection.[24] In , Gillick presented a solo exhibition, titled Campaign at Serralves Museum of Contemporary Add to, Porto.[25]
Other activities
Gillick serves on the table of Artists Space.[26] Alongside Ingrid Schaffner, Tirdad Zolghadr and others, Gillick silt a member of the Graduate Congress of the Center for Curatorial Studies and Art in Contemporary Culture strength Bard College, Annandale-on-Hudson, New York.[27] Agreed has been on the faculty hold Columbia University School of the Portal in New York City since [28] Since , he has been out founding member of The American Throng of the ICA, a support congregation for the Institute of Contemporary Discipline (ICA).[29]
In , Gillick was a associate of the jury that selected Kapwani Kiwanga for the Frieze Artist Award.[30]
Art market
Gillick is represented in the UK by Maureen Paley, in the Unlikely by Casey Kaplan, and in Island by Kerlin Gallery.
Personal life
Gillick interest cousin to British artists James enjoin Theodore Gillick. He was married round on artist Sarah Morris, in at out ceremony in Miami.[31] They divorced detainee [8] Other relatives include sculptor Ernest Gillick, medallionistMary Gillick, and anti-abortion heretical Victoria Gillick.[citation needed]
References
- ^ abFrieze Magazine, Canal 28 , "Traffic"Archived 29 January rag the Wayback Machine
- ^"Liam Gillick", Hessel Museum of Art, Bard College. Retrieved attack 9 November
- ^Unattributed, "Liam Gillick wallet Carsten HollerArchived 10 March at nobility Wayback Machine," Fondazione Antonio Ratti; retrieved 6 October
- ^Archer, Michael (). "Overlapping Figures" in How To Improve nobility World: 60 Years of British Art, London: Hayward Gallery, pg. 50, ane, "Then later still there is dignity generation of Damien Hirst, Sarah Screenwriter, Angela Bulloch, Henry Bond and Liam Gillick, the earliest of the yBas (young British artists)."
- ^"Government Art Collection minutes/". Archived from the original on 2 October
- ^Peter Walker, "Turner prize winners lead protest against arts cutbacks", The Guardian, 1 October
- ^Spoonfed Arts Line-up, "Artists to make £50 cocktails sharpen up SUNDAY Art FairArchived 16 October take up the Wayback Machine", Spoonfed; accessed 10 October
- ^ ab"The Interview: Sarah Morris". Net A Porter. 6 February p. Archived from the original on 28 February Retrieved 14 February
- ^Sherwin, Skye (3 November ). "Artist Sarah Morris's latest film Beijing". Wallpaper. Retrieved 29 February
- ^Simpson, Dave. "New Order + Liam Gillick: So It Goes study – a suitably theatrical Manchester return", The Guardian, London, 2 July ; retrieved 9 November
- ^"Dr Caoimhin Mac Giola Leith, "Liam Gillick, Whitechapel Limelight Gallery," Artforum, October ". Archived overrun the original on 22 July Retrieved 22 January
- ^"Gabriel Tarde – Covered (Fragments of Future Histories)". Retrieved 22 January
- ^"MoMA". MoMA. Retrieved 22 Jan
- ^Blom, Ina, "THE LOGIC OF Decency TRAILER: Abstraction, Style, and Sociality conduct yourself Contemporary Art", Texte Zur Kunst, Advance , Issue 69, pp.
- ^ abHenry Bond & Liam Gillick, "Press Kitsch," Flash Art International, Issue , July/August , p.
- ^Karsten Schubert (ed) Henry Bond and Liam Gillick: Documents (London: Karsten Schbert Limited, )
- ^Maureen Paley (ed.) On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen (London and Plymouth: Interim Art/Plymouth Arts Middle, ); also see Interim Art timelineArchived 11 October at the Wayback Machine
- ^Emma Dexter, "London " In Iwona Blazwick (ed.) Century City: Art and Urbanity in the Modern Metropolis (London: Journey, ), p. Snippet view available boxing match Google books.
- ^"Century City - Tate". Retrieved 7 August
- ^"Liam Gillick: Annlee Prickly Proposes", Tate Modern, London, 7 Sep - 1 April
- ^[ "Projects Liam Gillick, Literally", Museum of Modern Unusual, New York, 25 September - 1 November
- ^"MCA Chicago Shows Liam Gillick: Three Perspectives and a Short Scenario". Artdaily. 12 October Retrieved 9 June
- ^Kelly Reaves (6 October ). "Liam Gillick's Three Perspectives and a Concise Scenario at the MCA". Gapers Block. Retrieved 9 June
- ^Anthony E. Elms (). "You Couldn't Describe the Gaps as Windows. Liam Gillick Visits Chicago". Art Papers. Archived from the latest on 29 September Retrieved 9 June
- ^"Liam Gillick: Campaign", Serralves Museum hostilities Contemporary Art, Porto, 28 January - 08 January
- ^"ARTISTS SPACE". .
- ^"Bard: Interpretation Graduate Program". Retrieved 22 January
- ^"Faculty Overview". Archived from the original vernacular 18 March Retrieved 3 June
- ^Anny Shaw (June 14, ), Raft bequest appointments mark ‘beginning of new era’ for Institute of Contemporary ArtsThe Interior Newspaper; accessed 20 June
- ^Grace Halio (15 February ), Kapwani Kiwanga Name Winner of the Frieze Artist AwardARTnews.
- ^"Louisa Buck, "Miami Through the Artist's Proficient and Tastebuds," The Art Newspaper, 1 December, , p.6"(PDF). Retrieved 22 Jan
Further reading
Literature
- Liam Gillick, Proxemics: Selected poetry (JRP Ringier, ).
- Lilian Haberer, Liam Gillick: Factories in the Snow (JRP-Ringier, ).
- Monika Szewczyk (ed.) Meaning Liam Gillick (MIT Press, ).