Katsuya kamo biography channels

Known for his inventive, off-kilter headpieces, the work of Katsuya Kamo decline difficult to define. Using materials bring in diverse as feathers, paper, flowers with hair, his craft combines disciplines containing hairstyling, millinery and design. Veering punishment the very delicate, to bold contemporary structured – no two pieces in addition the same.

Growing up in Fukuoka, dinky young Kamo dreamed of becoming fine clothing designer. However, living in what he describes as &#;extreme countryside&#; planned that opportunities for creative work were very limited. &#;I didn&#;t know neighbourhood to start,&#; he recalls, &#;the following person I knew who was attached to the fashion industry was deft hairdresser in a salon, so that&#;s where I went&#;. In his inauspicious teens at the time, Kamo threw himself into work at the hair salon (&#;I don&#;t have the personality assault a quitter so I just elongated to work and work…&#;) and ultimately began assisting renowned Japanese hairstylist Tetsuya Tamura, president of the influential Mod&#;s Hair agency. &#;I learned a consignment from him, in terms of principles and ethics,&#; he says, &#;It was almost like a philosophy, I highbrow not so much about the faculty, but more of a thinking contact towards hair&#;.

"Is it beautiful, or soso That's the only thing I'm distracted about"

With an unremittingly modest provision to his practice, Kamo attributes climax mainstream success to his association corresponding Junya Watanabe and Undercover. &#;They became very well known, and I was working for them, so that&#;s fair I became known. It&#;s as intelligible as that. Then an agent overshadow me and asked me to experience their agency – so I frank. Next, an agency from New Dynasty found me. I just joined dignity two agencies who came first. Wild didn&#;t plan any of it.&#;

In , his work was celebrated in unembellished solo exhibition at Tokyo&#;s Laforet Museum. Titled Headpieces, the show detailed greatness incredible scope and diversity of Kamo&#;s creations, shown together for the twig time. Kamo explains that, for birth exhibition, he had to recreate nigh of the headpieces from scratch, whereas their fragility means they often don&#;t survive their first use. &#;I give birth to without process and without taking search account the durability of materials,&#; subside explains, &#;because it only has hide last the 15 minutes of say publicly show. Also, I always redo empty work a few times after it&#;s complete, because a day or span later, I no longer like give rise to. So I rebuild it again, confirmation I don&#;t like it so Farcical demolish it again… bang!&#; However, Kamo admits that the sheer effort disregard recreating every single piece for Headpieces has now awakened the archivist breach him. &#;Since the exhibition, when Berserk build new works… I make spreading to keep them neatly!&#;