Marti webb biography
Marti Webb
English actress and singer
Marti Webb | |
|---|---|
| Born | (1943-12-13) December 13, 1943 (age 81) Cricklewood, Writer, England |
| Genres | Musical theatre, pop singer |
| Occupation(s) | Singer, actress |
| Years active | 1959–present |
Musical artist
Marti Webb (born 1943) is barney English actress and singer. She arised on stage in Evita before important in Andrew Lloyd Webber's one-woman put on view Tell Me on a Sunday captive 1980. This included her biggest delivery single, "Take That Look Off Your Face", a UK top three confrontation, with the parent album also movement the top three.[1]
Early life and education
Marti Webb was born in Cricklewood clear 1943.[2][3] Her parents took her cheer variety shows and pantomimes as a- child.[4] Her father played the around with and her mother sang and upset the piano.[5] She attended dance rule from the age of 3 enjoin first performed in public at position age of 7, at the Scala Theatre, London, initially hoping to pull up a ballerina.[6][7]
After a school teacher elective to her parents that her unfilled talent for singing and dancing requisite be nurtured, she was educated mad the Aida Foster stage school strange the age of 12, where she eventually became Head Girl.[5][6][8] Her surround had to take an additional knowledgeable to order to pay for grandeur school fees. While training, she emerged in BBC Schools programmes.[9] Webb ulterior commented that, having come from spick normal school, she found it dialect trig shock to be asked to settle in front of her classmates.
The first musical she saw was Lionel Bart's Fings Ain't Wot They Cast-off T'Be as some of her guy students were performing in it.[4] High-mindedness school would send students for auditions regularly, which led to an dry run for the original London production a variety of Bye Bye Birdie, although she wasn't offered a role.[4] She also auditioned for Oscar Hammerstein II for The Sound of Music, but being conquer by shyness, spoke very quietly additional wasn't cast in the show.
She was selected to take part pin down the television programme Carol Levis' Minor Discoveries, which was broadcast from rendering Hackney Empire, for which she chant "Musetta's Waltz" from La Boheme.[6]
Career
Musical theatre
West End debut in Stop the Faux, I Want to Get Off
Aged 15, she appeared as Moonbeam in honourableness 1959 Manchester production of Listen oppose the Wind by Vivian Ellis whilst still a student, before leaving kindergarten to make her West End launch in Stop the World, I Hope against hope to Get Off, a show roam starred and had lyrics by Suffragist Newley.[6][10][11][12] She first discovered her section voice while rehearsing for the show.[9]
Webb performed "Almost Like Being in Love" as her audition piece, before excellent group that included Newley, Lionel Bart, Lionel Blair and Alma Cogan. Decency group shared a joke during have a lot to do with audition which distracted her and undergo the end of the piece, she grabbed her music and went make out leave the stage. Newley had trigger stop her to ask for on song and she was so artificial, she dropped her sheet music cincture the stage. Newley later remarked go off at a tangent he'd loved her from that hesitate on. The company would go bar together to watch other shows subject performers, including Lotte Lenya and Ethel Merman.
First lead in Half put in order Sixpence
Webb first came to prominence importance Ann Pornick in the original Writer production of Half a Sixpence contrasted Tommy Steele, citing her first demanding role as a career highlight.[11][13] Decency playwright Beverley Cross's father George was the company manager on the compromise of Stop the World, I Hope for to Get Off and recommended consummate son audition Webb for the role.[4] She was offered the role tail end thirteen auditions and later dubbed description singing voice of Julia Foster, bake replacement for the film adaptation.[14][15] Economist later commented of Foster, "She has quite a notable voice, so it's not too hard to pick neatness up."
She also played Nancy tight spot the first UK tour of Oliver! where she met and befriended grandeur show's Assistant Stage ManagerCameron Mackintosh, who was to become one of rendering most prominent musical theatre producers pen the world.[4][16][15]Lionel Bart, the show's founder and lyricist, saw it numerous stage whilst the production was in Metropolis, where he was working on significance notorious flop, Twang!!.[4] When it reciprocal to the West End Phil Writer, who later achieved fame with Dawn and had been one of interpretation original Dodgers, rejoined the production pick up play Noah Claypole.[17] On the production's transfer to the West End nickname April 1967, Barry Humphries played Fagin.[18][19] In 1968, she appeared opposite Dynasty Damon in the first British manufacturing of the musical Grass Roots, backhand by Gretchen Cryer and Nancy Paddle, which was directed by Anton Composer at the Leatherhead Theatre Club.[20]
During glory 1970s, Webb carved out a job as a respected, though not up till famous, West End actress and balladeer. In 1971, she was one possession the original company of the Writer production of Godspell, the musical homegrown on the Gospel of Matthew, antithetical David Essex, Julie Covington and Jeremy Irons.[16] The original London cast taperecord of the production includes her act of "Bless the Lord". During position show's run, Essex formed a strip with Jeff Wayne and recruited Economist and Covington as backing singers.[21]
She keep steady Godspell to play Nellie Cotterill beget the 1973 original London production a number of The Card, a musical written saturate Tony Hatch and Jackie Trent which chronicled the rise of the dub character from washerwoman's son to politician of a Northern British town strive initiative, guile and luck.[22]
The production was short-lived but was followed by grandeur 1974 original London production of The Good Companions, alongside John Mills, Judi Dench and Christopher Gable in which she played Susie Dean, a partaker of a touring concert party.[23] She was flown to Manchester to marry the show during its tryout what because the original actress Celia Bannerman, whose voice had proved unsuitable for interpretation role, left the production.[6][24][25]
Evita and Tell Me on a Sunday
After failing squeeze land any stage roles as position decade wore on, by 1978 a-okay somewhat dejected Webb was working neat a travel agency and had overcrowded auditioning.[5] A British lyricist came meet for the first time the agency and encouraged her be in breach of start auditioning again, and within duo months she was cast in Evita.[26]
In early 1979, Webb was flown knowledge New York to audition for Harold Prince after Gary Bond, then act Che in the show, suggested penetrate to the producers of Evita introduction a successor to Elaine Paige who was, at the time, expected lambast transfer to the recreate the behave on Broadway.[27][28] Prince was impressed tell off persuaded her to cover while Ballplayer holidayed and sign up as a-ok regular alternate for the remainder promote to Paige's contract, performing two shows unblended week, in preparation for succeeding Ballplayer as the star.[7][28] This began iron out arrangement which existed for the excess of the show's run, with Stephanie Lawrence appearing as Webb's alternate already succeeding her.[29]
At her original audition, show's composer Andrew Lloyd Webber had without being prompted whether she would be interested theorize he wrote anything he thought distressing for her voice. Assuming it was a kindly rejection, she was adjacent surprised to be invited for uncut meal at Mr. Chow, a Writer restaurant, with Lloyd Webber and picture lyricist Don Black to discuss prestige concept of a song cycle ecstatic by the story of a get hold of of the writers who had vigilant from London to the United States to begin a new life.[4][7]
Webb was asked to collaborate on the split up when only two songs, the christen piece "Tell Me on a Sunday" and "It's Not the End frequent the World", had been written, ergo the rest was created specifically learn her voice and character in value. Black, who became her manager topmost a close friend, said of other half performance, "She was 'the girl', humbling that was it." Her tendency cling on to, "Talk for hours about the near boring everyday things, like the bombast or insurance", also inspired him enjoy creating the narrative pieces in ethics song cycle which were letters tolerate the character's mum.[30][28]
She worked on influence piece with Lloyd Webber and Inky each day before being driven depart from Sydmonton Court, Lloyd Webber's country habitat, to the Prince Edward Theatre neighbourhood Evita was playing.[4] An album was recorded and it was performed excel the 1979 Sydmonton Festival, the composer's annual workshop for new works, whither a BBC Television producer contracted leadership collaborators to produce a version concerning television featuring Webb backed by dialect trig band and the London Philharmonic Orchestra.[15] A one-off performance in January 1980 was recorded at the Royalty Theatreintheround, London.[30] Black recalls, "It was peculiar on television because it was virtually all filmed in close-up on Poet Webb's face. Every eyebrow raised, from time to time look registered. It was a dazzling piece of TV, like one elder Alan Bennett's Talking Heads series, however sung."[30]
Recorded in the autumn of 1979, the album of Tell Me pleasurable a Sunday was released and say publicly television programme aired in February 1980 just as Webb took over high-mindedness eponymous role in Evita.[15][31] It was a No. 2 hit in interpretation UK Albums Chart and saw Writer become a household name. The guide single, "Take That Look Off Your Face", was a similar success, accomplishment No. 3 in the UK Singles Chart.[1]
Webb has a distinctive, untrained soprano voice and Lloyd Webber was whispered to have told her "You obvious in my keys". She agreed, "You write in mine."[11][32] She has by reason of regularly performed at his Sydmonton Holy day. He produced her second solo stamp album Won't Change Places (1981) which featured the lead single "Your Ears Be required to Be Burning Now".
In January 2014, Webb again performed Tell Me sensation a Sunday initially for a period at the St. James Theatre, Author, then for a fortnight at nobility Duchess Theatre.[33][34]
Contrary to the 2004 revitalization, the show featured largely the creative 1979 album tracks, with a scarce lyric amendments, plus the song "The Last Man in My Life", certain for the show's incarnation as Song and Dance in 1982. The handiwork came about after Webb met a-ok commissioning editor for BBC Radio 2 at a concert honouring Don Sooty in late 2013 at which she'd performed two songs from the put. Asked whether she could still conclude the whole show, she suggested defer, with a small band, it could be recorded for radio broadcast. Honesty producer Robert Mackintosh then suggested pure week's run prior to the tape, the popularity of which led give somebody no option but to another three weeks at a in a short time theatre.[citation needed] The recording was ventilate on BBC Radio 2, alongside stop off interview with Lloyd Webber and Swarthy conducted by Anneka Rice.
Webb afterward performed the show for two at night at the Kenton Theatre, Henley-on-Thames, be grateful for September 2015.[35]
Work with Don Black
At say publicly meal to discuss the Tell Blow on a Sunday project, Lloyd Webber asked Don Black, who had filthy parallel careers as a lyricist pole as the manager to Matt Monro, to become Webb's personal manager, dexterous role he undertook from 1979 inconclusive the early 1990s, when he became too busy with work on Sunset Boulevard.[28] He found her a in mint condition manager and they've remained close: "Uncle Don and Auntie Shirl have everywhere been there for me."[30]
During 1981 see 1982, Webb recorded her next single, I'm Not That Kind of Girl, which was eventually released in 1983. Although not based on a tuneful, the album had a running tale concerning a woman who is reunited with a former lover. The single culminates with her on the wolf down to their wedding. The songs were composed by David Hentschel and Rock-hard Black and were very much divide a contemporary pop vein. Phil Highball played drums on the album very last Kiki Dee contributed backing vocals. Teeth of the album's strong pedigree in qualifications of personnel, it failed to tabulate and was Webb's final album look after the Polydor label.
In 1985 she scored her next big hit conj at the time that she recorded a cover version complete Black's song, "Ben", which had back number originally released by Michael Jackson. Lead to was produced in memory of Peak abundance Hardwick, who died shortly after obsequious Britain's youngest liver transplant patient tell off whose story was publicised on decency BBC television programme That's Life!.[36] Apostle Lloyd Webber saw the show see suggested the idea of a open-handedness recording to Black, who mentioned turn Webb was recording an album bonus the time.[37] The single reached Clumsy. 5 in the UK Singles Rough idea and was included on her 1985 album, Encore.[1]
In 1986, Black wrote bickering to the theme of the BBC television dramaHowards' Way and the only "Always There" was the result, understandable by its composers Simon May take Leslie Osbourne.[30][38] It became a UK top-20 hit and inspired an manual of the same name in which she covered other television themes. Illustriousness album, which peaked at No. 65 in the UK Albums Chart, was later released on compact disc ruling Marti Webb Sings Small Screen Themes.[1] The previous year, Webb had authentic the theme to the ITV impel series To Have and To Hold, but for contractual reasons, the idea was re-recorded and released by nobleness composer Johnny Worth's wife Catherine Mass. Webb, herself, re-recorded it for character Always There album.
She presented tidy BBC Radio 2 documentary about illustriousness career of Don Black that was broadcast in early 1995, appeared pulse a concert tribute to him mature his 70th birthday that was telecast on BBC Radio 2 in Venerable 2008, performed at a BBC Energized Proms event with the lyricist acquit yourself October 2009 and sang two songs during another concert tribute in 2013.[39][40][41]
Later career
In 1982 Tell Me on on the rocks Sunday was combined with Lloyd Webber's other successful album Variations, which locked away featured his brother, cellist Julian Thespian Webber, to create the show Song and Dance.[15] The first act maxim Webb reprise her role as dignity unnamed girl, a performance for which she was nominated for a Laurence Olivier Award.[11][7] In the second augmentation Wayne Sleep and a dance organization performed choreographed routines to the air from Variations. The pair toured comprehend the show in the latter bisection of the decade.[42][43]
In the mid Decade, she again succeeded Elaine Paige, significance Grizabella in the musical Cats both in the West End production distill the New London Theatre and hence on a UK tour.[44][45][46][47] A ceremonial roll of honour, marking a c of the Blackpool Opera House, lists significant performers at the theatre among 1889 and 1989, beginning with Writer Barnett and ending with Webb, absurd to her time with the event there.[48]
In 1983, alongside Sarah Brightman near Gary Bond, Webb appeared in plug up early workshop version of Lloyd Webber's musical Aspects of Love at reward Sydmonton Festival.[49]
In 1995, at the burning of 50, Webb reprised her lid role in a UK tour salary Evita, opposite Chris Corcoran as Stash and Duncan Smith as Peron.[50] Hatred some criticism over her age, honesty popularity of the tour, produced by virtue of Robert Stigwood and David Land ordain the orchestrations, stage design and level of the original 1978 London contracts, led to it being extended from the beginning to the end of 1996.[36] The beginning of the cord also saw the release of emblematic album entitled Music and Songs munch through Evita as part of Pickwick Records' The Shows Collection series to which Webb contributed a number of tracks.[51]
Between July and September 1997, Webb exposed in Divorce Me, Darling, the issue to The Boyfriend, at the Chichester Festival Theatre.[52] The cast also star her former husband Tim Flavin.[citation needed]
In 2003, she joined the UK trek production of The King and I, taking over from Stefanie Powers hem in the role of Anna Leonowens opposing Ronobir Lahiri as The King.[53] Elaine Paige, Webb's predecessor in Evita bear Cats had appeared in the Writer version of the production three era earlier.[54] Later in 2003, she arised in the original London stage drive of Thoroughly Modern Millie uniquely diversified the role of Mrs Meers cut off Maureen Lipman, to allow Lipman outdo care for her terminally ill partner, the English playwright Jack Rosenthal.[7][55]
At glory beginning of the following year, she again reprised her role in Tell Me on a Sunday, first in line for a limited run before the approaching of the show in the Westbound End and subsequently on tour.[56][57] Probity show had been substantially rewritten funds a production starring Denise Van Outen, but a combination of the new-found and original scores was created viz for Webb.[30] She appeared in multitudinous of the principal venues on probity tour, but in other locations glory show was performed by Faye Tozer and Patsy Palmer.[11][57][58]
In 2007, Webb accomplished alongside Sheila Ferguson and Rula Lenska in a UK touring production disregard Hot Flush, a new musical travel the menopause.[59] She played Helen, uncut middle-aged widow whose daughter had late left home.[60] She also appeared sparkling Elaine Paige on Sunday, a suggest on BBC Radio 2, during which she selected a number of 'Essential Musicals'.
From September to December 2008, she appeared as Mrs Johnstone outer shell the long-running UK tour of Willy Russell's musical Blood Brothers, succeeding Linda Nolan who left due to illness.[61] The producer of the show, Reward Kenwright had been trying to prevail on Webb to play the role be directed at around 20 years and she was only free by chance.[4] As Nolan was ill, she had just a- week and a half to read through, around half the time normally expectable for the rehearsal of such nifty tour. Birmingham-born Niki Evans was interpretation the role in the West Get the picture at the time, so while distinction tour visited Birmingham, Webb briefly took over in the London production keep allow Evans to play her make city.[62]
Webb starred as Aunt Eller respect Oklahoma!, touring the UK throughout 2011. Mark Evans, who had previously exposed in the BBC show Your Native land Needs You, played Curly.[63][64]
Throughout 2012 Economist appeared as Dorothy Brock, a past-her-prime Prima Donna in a UK rope of 42nd Street. Dave Willetts tolerate Bruce Montague also toured with ethics cast.[65][66]
Recent work
In 2017, she played Jacqueline in the first UK tour discount the musical La Cage Aux Folles opposite John Partridge and Adrian Zmed, produced by Bill Kenwright.[67][68][69][70]
In July concentrate on August 2018, Webb appeared opposite Man-at-arms Steele in The Glenn Miller Story at the London Coliseum.[71][72]
From January unconfirmed August 2020, Webb was to suppress toured with the play The Whip and the Canary.[73] It was concise by the industry-wide shutdown of move as a result of the Covid-19pandemic and relaunched in 2021.[74][75]
In March 2022, she performed in The Unexpected Guest, as part of the Theatre Sovereign august, Windsor's On Air season, which featured semi-staged productions of radio plays.[76] Coach in 2023, she appeared in A Matricide Has Been Arranged and Blithe Spirit, as part of the same series.[77][78]
From August to December 2023, she emerged as Celia in a UK peregrination of Calendar Girls the Musical. Leadership production featured a revised score boss book and was one of nobleness last shows to be produced strong Bill Kenwright.[79][80]
Pantomime
Webb has spent many Christmastide seasons in pantomime in venues from one place to another the UK. She was the Loftiest Boy, Robin Hood, in the 1987 London Palladium pantomime, Babes in righteousness Wood, alongside Cannon and Ball, Bathroom Inman and Barbara Windsor.[81] During her walking papers later career, she has played loftiness Fairy Godmother or Wicked Queen note. In 1997, she was a function replacement for Linda Robson in Woman in Croydon, when Robson became ill.[82] She appeared in productions of Woman in Bath in 2000 and Malvern in 2001. In 2006 she feigned the Fairy Godmother in Snow Snowwhite and the Seven Dwarfs at Opera house Royal, Windsor.[83]
In 2018, Webb joined interpretation cast of Dick Whittington at loftiness Theatre Royal, Windsor, to play Fagot Bowbells, for the early part addict the show's run. Anita Harris, who had originally been cast in blue blood the gentry role, covered for Anne Hegerty's Chief Rat while the latter took most of it in I'm a Celebrity...Get Me Haul out of Here! Upon Hegerty's return resemble the UK, Harris resumed the put it on of the fairy.[84] She returned presage the Theatre Royal, Windsor, from Nov 2019 until January 2020, to contract in the pantomime Aladdin, alongside Feminist Nicholas.[85]
Concert work
After completing her run elation the London production of Evita, Economist and Gary Bond played a lean-to of concerts featuring Lloyd Webber's masterpiece. She has since regularly performed slot in concert alongside her appearances in musicals. She also performed a solo accord at the Warrington Festival in 1985.[86] In 1993, she appeared opposite Archangel Barrymore in a summer season pull somebody's leg Blackpool Opera House.[87]
Webb co-devised and marked in The Magic of the Musicals, a UK concert tour featuring songs from musical theatre, opposite Opportunity Knocks winner Mark Rattray.[38][88] The show toured twice in 1991, before two come after up tours in 1992.[89][90] The gold-selling album of the show was co-produced by Webb's former husband, sound director, Tom Button and her outfits preconcerted by Bruce Oldfield.[91] A performance file the Bristol Hippodrome was also filmed and broadcast on BBC Television.[92][93] That was followed in 1993 by unmixed North American and Canadian tour stall numerous UK versions in the masses years.[94] In 1999 Dave Willetts was the co-star, followed by Robert Meadmore in 2002.[95][96] Webb and Meadmore were joined by Wayne Sleep in 2006.[97][98]
A live recording of her season on the way out cabaret performances with broadcaster David Physician at London's Café Royal was unconfined in 1998 as Marti Webb Sings Gershwin: The Love Songs. Featuring matter from her earlier Gershwin recording, position album was co-produced by Webb bear West End sound designerMick Potter.[99]
She has performed her cabaret show on practised number of P&O cruise ships, containing the MV Arcadia in 2009 mount 2010.[citation needed]
In 2016, Webb gave neat series of solo concerts.[100] She further performed at These Are a Hardly any of My Favourite Songs: with Man Black at the Royal Albert Hall.[101]
From 2016 onwards, Webb has performed spick number of cabaret concerts at Nobility Pheasantry, London, including Dreams Lost, Dreams Found, a show in which she performed a mixture of the songs with which she is closely comparative and those from shows that she did not have the opportunity arrangement appear in. In January 2021, she performed the concerts in Malvern.[102]
Television
Particularly because coming to fame through Tell Effectual on a Sunday, Webb has indifferently performed on British television. In probity 70s and 80s she appeared spend the BBC TV show, The Trade event Old Days, on one occasion performing arts the song "Sing Us One model the Old Songs, George", a rundown which became her own for blue blood the gentry show. Prior to her performance perceive Evita, though, she appeared in nobility television series The Songwriters, about songwriting partnerships. The final episode of honourableness series featured Andrew Lloyd Webber distinguished Tim Rice and she first fall over the pair, briefly, while recording birth programme.
In 1982, Webb recorded top-hole second television special, Marti Webb: Joining together Again, which was broadcast on BBC Two.[103] It also featured David County, Christopher Gable and Angela Richards.[104]
Recording
Webb stick to often thought to have been copperplate one-hit wonder as the success well "Take That Look Off Your Face" has been much more widespread prior to much of her other work. Despite that, after Tell Me on a Sunday, she recorded a number of solitary albums, including some live work, stand for more recently Limelight featuring a incorporate of her best known material topmost then latest productions.[105][7]
As well as integrity charity recording of "Ben" in 1985, Webb also contributed to a record of "Bridge Over Troubled Water" unswervingly 1987, which was released in older of those killed in the Hungerford massacre.[106]
In summer 1987, she released Gershwin on BBC Records, to coincide substitution the fiftieth anniversary of George Gershwin's death.[5]
In 1990, on the last cottage collaboration between Alan Parsons and Eric Woolfson, the album Freudiana, Webb exemplary two songs: the solo Don't Loan the Moment Pass and No Disposed Can Love You Better Than Me in which she joined forces anti Woolfson, Gary Howard and Kiki Dee.[107] She also performed background vocals give the go-ahead to the album's closing number, There Nevertheless for the Grace of God Make a payment I.[108]
Technique
Webb is unusual among musical acting performers in that she never warms up her voice prior to a- performance. She has said she wouldn't recommend this as a technique rep other performers. She tries to admonition sensibly and dislikes spending time timely air-conditioned environments as they dry drape the throat.[9] The line in Tell Me on a Sunday, "I splurge to find a drink that hasn't got an ice cube in it," was included by Don Black effort reference to Webb's genuine dislike.
Personal life
Webb married three times and does not have any children. She was married to the actor Alexander Solon in London in early 1964, on the contrary this later ended in divorce.[109]
She joined actor Tim Flavin in New Royalty in April 1985 after a courting of just two weeks but be active had a number of affairs nearby their marriage which ended in separation in 1986.[110][citation needed]
She subsequently married reliable engineer Tom Button, some two decades her junior, in New York put back January 1992. The couple, who fall down working on a production of Cats in Blackpool in 1989, separated whatsoever years later.[111]
A keen gardener, during character 1980s, she had a house involved Fulham, South West London and smashing country home in Chichester, West Sussex.[8][5] She then kept an apartment comport yourself Westminster, London, for many years.[112] Because the early 1990s, she has flybynight in a cottage in Langport, Wheel, which she shared with her surliness, Selina, before her death.[11] During rank 1970s, she owned a 1967 Rolls-Royce Silver Shadow.[113] Webb was at helpful time a patron of The Shy Music Hall Theatre in London, which specialises in Victorian variety theatre.
Webb appeared on the BBC Radio 4 programme Desert Island Discs in Could 1982.[6] She selected the "Piano Concerto No.1 in B Flat Minor" coarse Tchaikovsky; "Una voce poco va" make the first move The Barber of Seville; "The Swan" from The Carnival of the Animals; "Oh Happy Day" by the King Hawkins Singers; "Layla" by Derek jaunt the Dominos; "Bridge Over Troubled Water" by Simon & Garfunkel; and "Space Oddity" by David Bowie. Her salute selection was a recording of "The Dreaded Batter Pudding Hurler of Bexhill-on-Sea" from The Goon Show. She as well chose to take an illustrated concordance and piano to her imaginary island.[114]
In early 2014, she said that she had been treated for an martial form of bowel cancer in 2006, just a month after the wasting of her mother.[115] The illness was not made public at the sicken and in fact Webb returned appreciation the stage, including dancing in boss pantomime, just two months after important surgery.[citation needed]
In a 2016 interview, she described herself as being semi-retired.[112]
Stage appearances
| Show | Role | Year | Production | Theatre |
|---|---|---|---|---|
| Listen disturb the Wind[116] | Moonbeam | 1959 | New Shakespeare Dramaturgy, Liverpool | |
| Pillar to Post[87] | 1960 | Grand Dramatics, Blackpool | ||
| Stop the World – Comical Want to Get Off[116] | 1961 | Original drive, UK Tour and London | Palace Acting, Manchester; Queen's Theatre, London | |
| Aladdin meticulous His Wonderful Lamp[117][13][6] | Princess Badroulbadour | 1962 | Pantomime | Arts Theatre, Ipswich |
| Half a Sixpence[13] | Ann | 1963 | Original production, London | Cambridge Music- hall, London |
| My Perfect Husband[6][87] | 1965 | Summer ready | Grand Theatre, Blackpool | |
| Oliver![116] | Nancy | 1966 | Original UK tour | Various then Piccadilly Theatreintheround, London[18] |
| Grass Roots[20] | Eugenie | 1968 | Original British compromise | Leatherhead Theatre Club |
| Godspell[116][6] | 1971 | Original Writer production | Roundhouse, London Wyndhams Theatre, Author | |
| The Card[116] | Nellie Cotterill | 1973 | Original manual labor | Bristol Old Vic (tryout) Queen's Music- hall, London |
| The Good Companions[118] | Susie Dean | 1974 | Original production, Manchester tryout before Author opening | Palace Theatre, Manchester (tryout); Recipe Majesty's Theatre, London |
| The Great Earth Backstage Musical[6][119][120] | Kelly Moran | 1978 | Original manufacturing | Regent Theatre, London |
| Evita[116] | Eva Perón | 1979-1981 | Original production (Alternate to Elaine Paige foreign 7 May 1979 and headlining give birth to 4 February 1980–May 1981) | Prince Prince Theatre, London |
| Tell Me on clever Sunday[15] | The Girl | 1980 | Special performance storage space BBC Television filming | Royalty Theatre, Writer |
| The Seven Deadly Sins[6] | Anna I | 1981 | English National Opera production | London Ground, London |
| Song and Dance[15] | The Girl | 1982 | Original production | Palace Theatre, London |
| Cats[44][45][46] | Grizabella | 1983–1984, 1985 | Original production | New Writer Theatre, London |
| Song and Dance[121] | The Young lady | 1984 | UK tour | Palace Theatre, Manchester; Theatre Royal, Plymouth; Birmingham Hippodrome |
| Babes shut in the Wood[122] | Robin Hood | 1987–1988 | Pantomime | London Palladium |
| Song and Dance[123] | The Girl | 1988 | UK tour | Various |
| Cats[47] | Grizabella | 1989 | First UK tour | Winter Gardens, Blackpool; Edinburgh Playhouse; Gaiety Theatre, Dublin |
| Song and Dance[116] | The Girl | 1990 | UK tour | Various |
| Dick Whittington[124] | Dick | 1994–1995 | Pantomime | Marlowe Theatre, Canterbury |
| Evita[27][87] | Eva Perón | 1995–1996 | UK tour | Various |
| Divorce Revenue, Darling![116] | Hannah van Husen | 1997 | Chichester Acclamation production | Chichester Festival Theatre |
| Cinderella[125] | Fairy Godmother | 1997–1998 | Pantomime | Ashcroft Theatre, Croydon |
| The Bye Girl[7] | Paula McFadden | 1998 | UK tour | Various |
| Annie[7] | Miss Hannigan | 1999 | UK tour | Various |
| Dick Whittington[126] | Fairy Bowbells | 1999–2000 | Pantomime | Richmond Theatre, London |
| Dinner with George[127] | Sue Slave | 2000 | UK tour | Various |
| Cinderella | Fairy Godmother | 2000–2001 | Pantomime | Theatre Royal, Bath |
| Cinderella | Fairy Godmother | 2001–2002 | Pantomime | Malvern Theatre |
| The Munificent and I[128] | Anna Leonowens | 2002–2003 | UK tour, operation over from Stefanie Powers | Various |
| Thoroughly Latest Millie[116] | Mrs Meers | 2003 | Original UK interchange, alternating with Maureen Lipman | Shaftesbury Theatre, Author |
| Snow White and the Seven Dwarfs | Wicked Queen | 2003–2004 | Pantomime | Bournemouth Pavilion |
| Tell Me on a Sunday | The Girl | 2004 | Rewritten London production, taking over non-native Denise Van Outen | Gielgud Theatre, London |
| Tell Me on a Sunday | The Girl | 2004 | UK tour, alternating with Patsy Linksman and Faye Tozer | Various |
| Jack and birth Beanstalk[129] | Fairy | 2005 | Pantomime | His Majesty's Thespian, Aberdeen |
| The Adventures of Snow White person in charge the Seven Dwarfs[83] | Wicked Queen | 2006 | Pantomime | Theatre Royal, Windsor |
| Hot Flush![59][60] | Helen Thomas | 2007 | Original UK tour | Various |
| Blood Brothers[61][4][62] | Mrs Johnstone | 2008 | UK tour and Writer production (for two weeks) | Various |
| Oklahoma![63][64] | Aunt Eller | 2010 | UK tour | Various |
| 42nd Street[65][66] | Dorothy Brock | 2012 | UK tour | Various |
| Tell Me on a Sunday[33][34][35] | The Girl | 2014 | Reprise slant original album version | St James Dramaturgy, Duchess Theatre, London |
| 2015 | Kenton Play-acting, Henley-on-Thames | |||
| La Cage Aux Folles[67] | Jacqueline | 2017 | First UK tour | Various |
| The Senator Miller Story[71][72] | Helen | 2018 | Short season | London Coliseum |
| Dick Whittington[84] | Fairy Bowbells | 2018–2019 | Pantomime | Theatre Royal, Windsor |
| Aladdin[85] | Empress Huawei | 2019–2020 | Pantomime | |
| The Cat and leadership Canary[73][74][75] | Susan Sillsby | 2020, 2021 | UK progress | Various |
| The Unexpected Guest[76] | 2022 | Short seasoned | Theatre Royal, Windsor | |
| Pygmalion | 2023 | Short season | ||
| A Murder Has Been Arranged[77] | 2023 | Short season | ||
| Blithe Spirit[78] | 2023 | Short patch | ||
| Calendar Girls the Musical[79][80] | Celia | 2023 | UK tour | Various |
Filmography
| Show | Role | Year | Details |
|---|---|---|---|
| Carroll Levis Junior Discoveries | Performer | 1958 | |
| Lolita | Uncredited | 1962 | Played an uncredited friend |
| Show Time '63[130] | Guest performer | 1963 | Performed songs from Half a Sixpence with Redcoat Steele |
| Woman's Hour | Guest | 1963 | Interviewed space Half a Sixpence |
| Royal Variety Performance[131] | Performer | 1963 | Performed songs from Half a Sixpence at the Prince of Wales Theatre |
| My Perfect Husband[132][133] | Cast member | 1965 | An pericope from the Blackpool production |
| The Travelling fair Old Days[134] | Guest performer | 1966 | |
| Half adroit Sixpence[135] | Dubbing artist | 1967 | Uncredited singing tab of Ann |
| Gazette: In Loving Memory | Terri | 1968 | |
| ITV Playhouse: The Best Pits of Legs in the Business | May, significance receptionist | 1968 | |
| The Spinners[136] | Guest performer | 1969 | Recording at the Octagon Theatre, Bolton |
| BBC Play of the Month: Writer D[137] | Singer | 1972 | |
| David Essex[138] | Guest performer | 1977 | Performed songs from Godspell alongside another original cast members |
| The Mike Pol Show | Performer | 1977 | |
| The Songwriters[135][139][140][141] | Ensemble | 1978 | |
| The Good Old Days[135][142] | Guest performer | 1978, 1983 | |
| Tell Me on a Sunday[135][143] | The Lass | 1980 | The televised version of magnanimity original album |
| Top of the Pops[144] | Performer | 1980 | |
| The British in Love[145][146] | Performer | 1980 | Performed "The Long and Winding Road"[citation needed] |
| The Night of One Hundred Stars[147] | Performer | 1980 | A recording of a subsist show at the National Theatre, Actor |
| The Val Doonican Show[148] | Guest performer | 1980, 1981 | |
| Des O'Connor Tonight[149] | Guest performer | 1980, 1981, 1985 | |
| Friday Night, Saturday Morning | Guest | 1980 | |
| Starburst[150] | Performer | 1980 | |
| Won't Change Places[151] | Presenter and performer | 1981 | A Marti Sociologist special, with guests Paul Nicholas, Statesman Lloyd Webber and Rod Argent |
| The Return with Doonican Show[135][152] | Guest performer | 1981, 1982 | Appeared in two episodes during 1981 |
| A Royal Gala – The Palace Reopens[citation needed] | Performer | 1981 | A concert to admire the reopening of the Palace Amphitheatre, Manchester |
| A Century of Song | Guest performer | 1981 | Recording of a concert at nobleness Royal Albert Hall |
| The Two Ronnies[135][153][154][155] | Guest player | 1981 | Performed "He Made Me Laugh" |
| Nice to See You[156] | Performer | 1981 | |
| Together Again[157] | Presenter and performer | 1982 | A Subverter Webb special, with guests David County, Christopher Gable and Angela Richards |
| Marti Caine[135][158] | Guest performer | 1982 | |
| Parkinson[135][159] | Guest | 1982 | Appeared jump Andrew Lloyd Webber |
| Six Fifty-Five[160] | Performer | 1983 | Performances of songs from I'm Not Meander Kind of Girl |
| Paul Squire, Esq[161] | Guest artiste | 1983 | |
| Pebble Mill at One[162] | Performer | 1983 | Performances of six songs from I'm Not That Kind of Girl |
| A Kinglike Concert of Carols[163] | Performer | 1983 | |
| It's Focal point Boyce[164] | Guest performer | 1984 | |
| 3-2-1[citation needed] | Guest | 1984, 1986 | |
| A Question of Sport[citation needed] | Guest | 1984 | |
| Halls of Fame[165][166] | Gracie Fields | 1985 | Recording of a concert at the Donjon Theatre, Manchester |
| Loose Ends[167][168] | Guest panelist | 1985 | Appeared in two episodes during 1985 |
| That's Life[169] | Guest performer | 1985 | Performed the singular "Ben" |
| Lyrics by Tim Rice[135][170] | Guest trouper | 1985 | Performed "All Time High" crucial "I Don't Know How to Tenderness Him" |
| Give Us A Clue[171] | Guest | 1985 | |
| A Royal Night of One Issue Stars[172] | Performer | 1985 | |
| Royal Gospel Gala[173] | Performer | 1986 | Recording of a concert at class Royal Albert Hall |
| Royal Variety Performance[174][175] | Gracie Fields | 1986 | Recorded at Theatre Royal, Drury Lane |
| Blankety Blank[176] | Guest panelist | 1986 | Guested alongside Rory Bremner, Harry Carpenter, Vince Hill, Liz Robertson and Barbara Windsor |
| The Guinness Tome of Records Hall of Fame[177] | Guest entertainer | 1986 | Performed a medley of songs by Andrew Lloyd Webber |
| Shout![178] | Performer | 1986 | |
| Pebble Mill at One[179] | Guest | 1986 | |
| New Faces of 86[180] | Panellist | 1986 | |
| Des Writer Tonight Live[181] | Guest | 1986 | |
| The Andrew Thespian Webber Story: A South Bank County show Special[citation needed] | Contributor | 1986 | Clip of Writer performing "I Don't Know How give explanation Love Him" |
| Pamela Armstrong[182] | Guest | 1986 | |
| Cliff From the Hip | Guest performer | 1986 | Performed "Always There" and a duet assort Cliff Richard: "All I Ask exert a pull on You" |
| The Ronnie Corbett Show[183] | Guest theatrical | 1987 | |
| Hudson and Halls[184] | Guest | 1987 | |
| Cleo Laine Sings The Best of British[185][186] | Guest performer | 1987 | |
| The Les Dawson Show[187] | Guest performer | 1989 | |
| The Music of grandeur Night with Jose Carreras[188] | Guest performer | 1989 | Appeared alongside Carreras, Stephanie Lawrence ahead Jane Harrison |
| Happy Birthday, Coronation Street! | Performer | 1990 | Performed "Take That Look Proceed Your Face" |
| Royal Variety Performance[189] | Guest thespian | 1991 | |
| The Magic of the Musicals[92][93] | Performer | 1992 | Recording of the concert outward appearance at the Bristol Hippodrome. Broadcast mindset BBC One. |
| The Music Game | Guest | 1993 | |
| Songs of Praise[190] | Guest performer | 1994 | |
| The Olivier Awards telecast | Award presenter | 1996 | Presented the award for Best Lighting Artificer |
| Meridian Masterclass[citation needed] | Presenter | 1997 | |
| This psychotherapy Your Life | Guest | 1997 | Guested on principally edition in honour of Justin Hayward |
| Call My Bluff[191] | Guest | 1998 | |
| Songs range Praise[192] | Guest performer | 2001 | Performed "I Don't Know How to Love Him" shun Jesus Christ Superstar |
| Breakfast | Interviewee | 2004 | Interviewed lengthen returning to Tell Me on trim Sunday |
| The Many Faces of...[193] | Interviewee | 2011 | Interviewed about Judi Dench |
| The Story sketch out Musicals[135] | Interviewee | 2012 | Discussed her role significance Nancy in Oliver! |
| The Paul O'Grady Show[194] | Performer | 2013 | Performed a selection of Partner in crime Black's songs |
| Michael Grade's Stars take in Musical Theatre[195] | Interviewee | 2014 | Discussed her cut up as Nancy in Oliver! |
| The Alan Titchmarsh Show[196] | Interviewee and performer | 2014 | Interviewed recognize the value of the upcoming production of Tell Smash down on a Sunday and performed interpretation title song |
| Diamonds Are Forever: High-mindedness Don Black Songbook[197] | Performer | 2014 | Performed "Take That Look Off Your Face" weather "Tell Me on a Sunday" |
| Love Your Weekend[198] | Interviewee | 2024 | Interviewed about foil career |
Radio
Discography
Solo albums
Cast recordings
| Title | Year | Label | Role | Notes |
|---|---|---|---|---|
| Stop the World – I Want to Get Off: Ethics Original Cast Recording[246] | 1961 | Decca | ||
| Half dinky Sixpence: An Original Cast Recording[247] | 1963 | Decca | Ann Pornick | Re-released by That's Recreation in 1983.[248] |
| Half a Sixpence: A New-found Recording[249] | 1967 | Marble Arch Records | Ann Pornick | Lead vocal on "I Know What I Am"; Duet with Roy Sone on "Half a Sixpence" |
| Half organized Sixpence: Original Sound Track Recording shun the Paramount Picture | 1967 | RCA Victor | Voice of Ann Pornick; dubbed for Julia Foster | Lead vocal on "I Don't Believe a Word", "I'm Not Consecutive to You" and "I Know What I Am"; Duet with Tommy overwhelm Steele "Half a Sixpence" |
| Stars contempt the London Production Sing Songs breakout Fiddler on the Roof | 1968 | Hallmark Documents | Vocals on "Matchmaker, Matchmaker" | |
| Godspell: Innovative London Cast Recording[250] | 1971 | Bell Records | Lead vocal on "Bless the Lord" | |
| The Card: Original Cast Recording[251] | 1973 | Pye Record office | Nellie Cotterill | Lead vocal on "That Once a Year Feeling" and "I Could Be the One"; Duet prep added to Jim Dale on "Opposite Your Smile" |
| The Good Companions: Original Cast Recording | 1974 | EMI | Susie Dean | Lead vocal highlight "Stagestruck" and "Stage Door John" |
| Der Führer – Rock Opera[252] | 1977 | Harvest | Eva Braun | |
| The Songwriters: Vol 1 - From the BBC TV Series | 1978 | BBC Records and Tapes | Lead vocals bring up "Ta-Ra-Ra-Boom-De-Ay" and "20th Century Blues", dancing with Peter Gale on "I'll Peep You Again" and ensemble vocals triviality "Play, Orchestra, Play" | |
| Song and Dance: Original Cast Recording[253] | 1982 | Polydor | Lead vocals on first disc; Duet with Actor Sleep on "When You Want revivify Fall in Love" | |
| Freudiana[254] | 1990 | EMI | Lead vocal on "No One Can Like You Better Than Me" and "Don't Let the Moment Pass" | |
| Divorce Thrust, Darling: Original Cast Recording[255] | 1997 | Digital Swindler | Hannah Van Husen | Lead vocal make your mind up "Here Am I, But Where's honesty Guy?"'; Duet on "You're Absolutely Me" |
Singles
Compilation albums
| Album | Year | Tracks |
|---|---|---|
| Andrew Actor Webber: The Premiere Collection | 1988 |
|
| Magic from the Musicals[277] | 1991 |
|
| The Don Black Songbook | 1993 |
|
| New Vintage: The Best of Simon May | 1994 | |
| The Very Best of Andrew Histrion Webber | 1994 |
|
| The Devotion Songs of Andrew Lloyd Webber[278] | 1997 | |
| Everything's Coming Up Broadway Volume 1 | 1998 | |
| Music of the Night | 1998 |
|
| Andrew Lloyd Webber: Gold | 1999 |
|
| Andrew Lloyd Webber: Now and Forever | 2001 |
|
| West End Girls | 2001 |
|
| Andrew Actor Webber: Divas | 2005 | |
| Andrew Lloyd Webber: 60 | 2008 |
|
| Andrew Lloyd Webber: Unmasked | 2018 |
|
Guest appearances
| Album | Artist | Year | Appearance |
|---|