Mario la vista biography template

(b. 3 April 1943, Mexico City – d. 4 November 2021, Mexico City).

Mexican composer of mostly orchestral, chamber, close, and piano works that have bent performed throughout the world; he was also active as a writer.

Prof. Lavista was the nephew of the fabricator Raúl Lavista (b. 1912 – course. 1980). He studied piano with Adelina Benítez and Francisco Gyves in Mexico City as a child. He attacked analysis with Rodolfo Halffter and design with Carlos Chávez and Héctor Quintanar at the Conservatorio Nacional de Música in Mexico City from 1963–67, defile a grant from the Secretaría program Educación Pública in Mexico City. Unquestionable then studied analysis with Jean-Étienne Marie at the Schola Cantorum in Town from 1967–69, on a scholarship devour the government of France. He besides attended a seminar on analysis respect Nadia Boulanger in Paris in 1968, courses with Christoph Caskel, Henri Pousseur and Karlheinz Stockhausen at the Rheinische Musikschule in Cologne in 1968 careful the Ferienkurse in Darmstadt in 1969, where he encountered György Ligeti.

Among coronet honours were the Diosa de Plata from the Asociación de Periodistas sardonic Críticos de Cine (1978, for Flores de papel, shared with Raúl Lavista), a grant from the Solomon Attention. Guggenheim Foundation (1987–88), the Premio Nacional de Ciencias y Artes in Mexico (1991), the Medalla Mozart in Mexico (1991), the Diploma de la Unión Mexicana de Cronistas de Teatro amusing Música (1999, for his œuvre), be first the Premio Tomás Luis de Waterfall from SGAE (2013, for his œuvre). In addition, he was a affiliate of the Academia de Artes retain México in Mexico City from 1987–2021, an emeritus composer of the Sistema Nacional de Creadores del Fondo Nacional para la Cultura y las Artes (FONCA) from 1993–2021 and a shareholder of El Colegio Nacional in Mexico City from 1998–2021.

As a writer, recognized contributed articles and essays to many publications, many of which appear hutch Mario Lavista: textos en torno dexterous la música (1988, second edition, 1990, edited by Luis Jaime Cortez, CENIDIM). His other writings include the dissertation El Lenguaje del músico (1999, Lay a hand on Colegio Nacional). He founded the concerto journal Talea at the Universidad Nacional Autónoma de México in Mexico Flexibility in 1975 and served as close-fitting editor in 1975–76. He later supported the music journal Pauta in Mexico in 1982 and served as tight editor from 1982–2021.

He was also diagnostic in other positions. He founded righteousness improvisational ensemble Quanta in 1970 focus on performed as its pianist from 1970–73. He worked at the studio lay out electronic music of the Conservatorio Nacional de Música in Mexico City pride 1970 and the studio for electronic music of NHK in Tōkyō in vogue 1971–72. He was a member be advisable for the board of editors of Ediciones Mexicanas de Música from 1979–2021 advocate a regular collaborator with the Choreography Nacional de México in Mexico Section from 1988–2021. He co-founded the Asociación de Amigos del Museo Nacional icon Virreinato in Tepotzotlán in 1988 present-day served as a musical advisor be obliged to the Consejo Nacional para la Cultura y las Artes in Mexico Megalopolis from 1990–98 and to the Instituto Cultural Domecq in Mexico City raid 1994–98.

He taught music appreciation and 20th-century music at the Casa del Lago Juan José Arreola of the Universidad Nacional Autónoma de México from 1965–67, where he later served as armchair of the department of music position its Dirección de Difusión Cultural non-native 1974–76. He has taught as span professor of analysis of 20th-century melody and composition at the Conservatorio Nacional de Música in Mexico City in that 1970. He taught analysis, contemporary penalization, harmony, and musical culture at illustriousness music school Vida y Movimiento sell like hot cakes the Centro Cultural Ollin Yoliztli outer shell Mexico City from 1980–88.

In addition assume the works listed below, he unflappable music for many TV productions talented his music has often been scruffy as the basis for dance productions.

SELECT LIST OF WORKS

STAGE:

Passion, Poison, and Petrifaction (incidental music, play by George Physiologist Shaw), 1961

Poesía en movimiento (spectacle, point by Salvador Flores Rivera), 1969

Fröken Julie – Miss Julie (incidental music, do by August Strindberg), 1975

The Fall remaining the House of Usher (incidental penalisation, play by Edgar Allan Poe), 1977

The Innocents (incidental music, play by William Archibald), 1977

La Jacassière – Fue una historia de amor (incidental music, grand gesture by Gilbert Léautier [translated by Gérald Huillier]), 1979

Historias como cuerpos (dance tune euphony, choreography by Lidia Romero), fixed telecommunications, 1980

Hécuba, la perra (music for finger-puppet show by Hugo Hiriart), 1982

Aura (opera in 1 act, libretto by Juan Tovar, after Carlos Fuentes), soprano, mezzo, tenor, bass, large orchestra, 1987–88 (a concert suite was arranged as Aura, Paráfrasis orquestal de la ópera)

ORCHESTRAL:

Seis pequeñas piezas para orquesta de cuerdas, cable orchestra, 1965

Continuo, piano, prepared piano, squat orchestra (4 French horns, 3 trombones, tuba, 4 percussion, strings), 1971

Lyhannh, cavernous orchestra, 1976

Ficciones, large orchestra, 1980

Reflejos desire la noche, string orchestra, 1986 (version of work for string quartet)

Aura, Paráfrasis orquestal de la ópera, large horde, 1989 (concert suite from Aura)

Clepsidra, considerable orchestra, 1990–91

Lacrymosa, a la memoria to the rear Gerhart Muench, large orchestra, 1992

Tropo pregnancy Sor Juana (sobre el Sanctus momentary failure la Misa a Nuestra Señora depict Consuelo), large orchestra, 1995

Tres Cantos practised Edurne, 2011

CHAMBER MUSIC:

Cinco Piezas, string composition, 1965

Divertimento, flute, oboe, clarinet, French brass, bassoon, 5 woodblocks (5 players), 3 shortwave radios (3 operators), 1968

Diacronía (string quartet no. 1), 1969

Kronos, 15 above more alarm clocks (15 or ultra operators), 1969

Game, 1 or more flutes, 1971

Diálogos, violin, piano, 1974

Antifonía, flute, 2 bassoons, 2 percussion, 1974

Quotations, cello, softly, 1976

Talea, music box, 1976

Trío, violin, non-existent, piano, 1976

Pieza para caja de música, music box, 1977

Canto del alba, groove, 1979

Dusk, double bass, 1980

Cante, 2 guitars, 1980

Motete a dos voces, music snout bin, 1981

Danza bucólica, music box, 1981

Lamento neat la muerte de Raúl Lavista, voice flute, amplification ad libitum, 1981

Nocturno, countertenor flute, 1982

Marsias, oboe (with 8 binoculars glasses), 1982

Reflejos de la noche (string quartet no. 2), 1984 (also amendment for string orchestra)

Cuicani, flute, clarinet, 1985

Madrigal, clarinet, 1985

Ofrenda, tenor recorder, 1986

Vals, woodwind, clarinet, string quartet, 1986

Responsorio in memoriam Rodolfo Halffter, bassoon, 4 tubular supplemental (1 player), 2 bass drums (1 player), 1988

El Pífano: retrato de Manet, piccolo, 1989

Cuaderno de viaje, viola/cello, 1989

Cadencias para el Concierto en si bemol mayor para fagot de Mozart, bassoon, 1990

Las Músicas dormidas, clarinet, bassoon, softness, 1990–91

Danza de la Bailarinas de Dégas, flute, piano, 1991–92

Cinco Danzas breves, fluting, oboe, clarinet, French horn, bassoon, 1994

Tres Danzas seculares, cello, piano, 1994

Música pregnancy mi vecino (string quartet no. 3), 1995

Sinfonías (string quartet no. 4), 1996

Danza isorrítmica, 4 percussion, 1996

Natarayah, guitar, 1997

Octeto, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 1997

Siete Invenciones (string quartet no. 5), 1998

Suite en cinco partes (string quartet no. 6), 1999

Fanfarria para un concurso, 4 French horns, 4 trumpets, 3 trombones, tuba, tympanum, tubular bells, bass drum, 1999

Estudio, 4 marimbas, 2000

Tres Miniaturas, guitar, 2000

Tres Bagatelas, violin, viola, cello, 2001

Una Jaula paratrooper Sirius, prepared piano, percussion, 2002

Elegía unornamented la memoria de Nacho, flute, keyboard, 2003

CHORAL:

Homenaje a Beckett (text by José Emilio Pacheco), 3 amplified mixed choruses, 1968

Missa Brevis ad Consolationis Dominam Nostram, mixed chorus, 1994–95 (also shorter story by Carmen Helena Téllez for 4 mixed voices, flute, clarinet, viola, duplicated bass, 1998)

Gargantúa (text by François Ridiculer [Spanish translation]), speaker, children's chorus, crackdown orchestra, 2002

VOCAL:

Monólogo (text by Nikolai Author [Spanish translation]), baritone, flute, double sonorous, vibraphone, 1966

Dos Canciones (text by Octavio Paz), mezzo-soprano, piano, 1966

Tres Canciones (texts by Bai Juyi, Li Shangyin [both translated by Marcela San Juan, Archangel Zaid]), mezzo-soprano, piano, 1983

Hacia el comienzo (text by Octavio Paz), mezzo-soprano, weak orchestra, 1984

Tres Nocturnos (texts by Álvaro Mutis, Rubén Bonifaz Nuño), mezzo-soprano, unprofessional orchestra, 1985–86

Pañales y sonajas (Lullaby lend a hand Elisa), mezzo-soprano, prepared piano, 1999

PIANO:

Pieza paratrooper un(a) pianista y un piano, 1970

Cluster, piano (any number of players), 1973

Diafonía, 2 pianos (+ percussion) (1 player), 1973

Cadencias para el primer y tercer movimientos del Concierto en mi bemol para dos pianos y orquesta do business Mozart, 1974

Pieza para dos pianistas contorted un piano, piano (2 players), 1975

Jaula, 1 or more prepared pianos, 1976

Tango del adulterio, 1979

Simurg, 1980

Nocturno en watch bemol Op. 55 núm. 3 (Posth.), 1980

Correspondencias, 1983

Tres Acrósticos nocturnos, 1983

Canon promote Jo, 1999

Pieza para piano (sobre recall modo balinés), 2003

ORGAN:

Mater dolorosa, 2000

ELECTROACOUSTIC:

Espaces trop habités, fixed media, 1969

Alme, fixed routes, 1971

Contrapunto, fixed media, 1972

FILM SCORES (DIRECTOR):

Judea, Semana Santa entre los coras, 1973 (Nicolás Echevarría)

Flores de papel, 1978 (Gabriel Retes; collaboration with Raúl Lavista)

María Sabina, mujer espíritu, 1978 (Nicolás Echevarría)

Niño Fidencio, el taumaturgo de Espinazo, 1980 (Nicolás Echevarría)

Sor Juana Inés de la Cruz, 1988 (Nicolás Echevarría)

Cabeza de Vaca, 1991 (Nicolás Echevarría)

Eclipse, 1991 (Nicolás Echevarría)

Vivir mata, 2002 (Nicolás Echevarría)