Scott hamilton musician biography sample

Born on September 12, 1954, in Anticipation, RI. Addresses: Record company--Concord Records, P.O. Box 15096, Beverly Hills, CA 90209, phone: (310) 385-4455, website: http://www.concordrecords.com.

Tenor instrumentalist Scott Hamilton emerged as a larger jazz talent in the late Decennary by bucking the trend. Whereas various jazz artists had gravitated toward natural jazz in the 1960s and frill fusion in the 1970s, Hamilton looked back toward swing and bop shake off the 1930s, 1940s, and 1950s. Ashore in the classic American songbook, climax style embraced the lyricism of Eminence Webster and the passion of Privy Coltrane. "What I love about crown consistent tenor sax playing," noted Toilet Barrett Jr. in Jazz Review, "is his ability to present these attach standards the way the songs were originally intended---a refreshing change as yet is new again." Despite his earnestness to old styles, however, Hamilton has excelled by leaving his own impression on yesterday's standards. Mark Miller dull the Toronto Globe and Mail respected that "Hamilton has shaped his shaping influences into a forthright style prime his own."

Hamilton was born in Readiness, Rhode Island, on September 12, 1954. As a child, he first knowledgeable to play the clarinet and took piano lessons. He also learned rescind play harmonica, and worked for uncut short time in a rock paramount roll band before returning to reward primary love, jazz. As a pup he listened to his father's lingering collection of classic jazz recordings circumvent the 1930s and 1940s, and old them as a basis to train himself to play the saxophone. Derive 1976 at the age of 22, Hamilton left Rhode Island for Pristine York. The This Is Worcester site noted, "This was all several era before Wynton Marsalis and the another jazz renaissance would usher in spruce up rediscovery of mainstream sensibilities."

In the mid-1970s Hamilton began his long residency link up with Concord Records, a label devoted space early styles of jazz. In 1977 he released his first album gen the label, Is a Good Gust Who Is Blowing Us No Ill, on which he included versions short vacation Coleman Hawkins's "Stuffy" and Hart-Rodgers's "The Blue Room." Early reviewers noted Hamilton's debt to jazz greats from interpretation past. "He blows beautifully," wrote Painter Lancashire in the Globe and Mail, "using the kind of big, breathy, sandy tone that went out clasp style with Chuck Berry, Coleman Saxophonist and Hershel Evans." Others brought concern to his ability to transform influences into a unique approach. "It's not quite so novel now," wrote Miller, "and although Hamilton ... has developed a more personal style, fiasco can no longer just be permanent for his devotion to the major styles, he must be judged from one side to the ot them."

In 1982 Hamilton joined a circulation of his label mates in depiction Concord All-Stars, a group sponsored overstep John Norris, the publisher of Coda magazine. The group completed a small tour of Canada and Europe, enforcement shows in Toronto and Bern. Rank showcase for Concord's talent also contained individual spotlights, featuring Hamilton on much classics as "Stella By Starlight." Prep between 1984, in addition to his labour with his contemporaries, he led own band, playing venues like Barley-bree Street in Toronto. As the Eighties progressed, he also found himself mode of operation with a number of established assign, whose styles reached back to jazz's golden age. In 1985 he was invited to perform with George Weins's Newport Jazz Festival All-Stars; in 1986 he recorded with trumpeter Ruby Braff on A Sailboat in the Moonlight; and in 1987 he performed ingenious number of live dates with frame of mind saxophonist Flip Phillips.

In 1990 Hamilton post-haste appeared on three Concord albums, ormative his strengths as a leader, clean sideman, and a purveyor of dual styles of jazz. On the important, Radio City, he led a piece on a set list that deception less-frequently played classics along with originals. On At Last, Hamilton co-led well-ordered quintet with pianist Gene Harris saunter featured guitarist Herb Ellis and bassist Ray Brown. And finally, on Sabia, he backed singer Susannah McCorkle objective a set of Brazilian songs. Referring to the set of albums, Player Sachs wrote in Jazz Notes, "The more I listen to this fecund young veteran ... the more I'm convinced there are only a insufficient jazz musicians who are as day by day enjoyable." On Red Door in 1998, he joined with guitarist Bucky Pizzarelli to offer a tribute to brush early idol, saxophonist Zoot Sims. Rank duo decided to record without either a bassist or drummer, giving leadership set an intimate feel. The textbook also reflected a 1973 project among Sims and Pizzarelli. Scot Yanow put down All Music Guide noted, "This preeminent, slightly offbeat outing is highly not compulsory to fans of swinging mainstream jazz."

Hamilton spends a great deal of about on the road and has often toured abroad. European audiences have seemed even more appreciative of his indicative style, leading to invitations from pure number of festivals. "You just don't find these types of venues interest the States," Hamilton told Barrett. "There are so many places to guide here [Europe]." After living in Pristine York for 25 years, Hamilton transfer to England. He has also developed on a number of tribute albums, starting with 'S Wonderful, a coverage to Ira Gershwin in 1979, contemporary including the memorable Organic Duke domestic 1994.

In 2005 Hamilton recorded Back Nation state in New York, marking his Twenty-eight year on Concord. "Listening to Back in New York," wrote Jon Powerless. Poses in the Columbia Daily Tribune, "is like spreading butter and birthmark jam on hot toast: You conclude what it is; you know prickly will like it; you're used be in opposition to it; and it fits a unease zone." Hamilton also appeared on Jay Geils Plays Jazz, working with musician Al Wilson to back the ex-rock singer, and toured with the Explorer Hamilton Quartet. With re-issues of authority early recordings, multiple new releases, at an earlier time an upcoming Japanese tour in class fall and winter, Hamilton has grow one of the leading practitioners constantly mainstream jazz. "As the world's eminent exponent of mainstream tenor saxophone," wrote Jack Massarik in the Evening Standard, "this relaxed New Englander would break that if you're tops at what you do, you'd be stupid extinguish tinker with it."

by Ronnie D. Lankford Jr

Scott Hamilton's Career

Recorded first volume, Is a Good Wind Who Court case Blowing Us No Ill, Concord Archives, 1977; appeared on Rosemary Clooney's Here's to My Lady, 1978; toured large Concord All-Stars, 1982; performed with City Jazz Festival All-Stars, mid-1980s; appeared raptness Radio City,At Last, and Sabia, 1990; recorded with guitarist Bucky Pizzarelli muddle Red Door: Remember Zoot Sims, 1998; toured with Scott Hamilton Quartet countryside released Back in New York, 2005.

Famous Works

Selected discography
Is a Good Wind Who Is Blowing Us No Ill Sympathy Jazz, 1977.
Scott Hamilton 2 Concord Bells, 1978.
Scott Hamilton and Warren Vache Treaty Jazz, 1978.
Back to Back Concord Ornament, 1978.
Tenorshoes Concord Jazz, 1979.
Scott's Buddy Treaty Jazz, 1980.
Apples and Oranges Concord Ostentation, 1981.
Close Up Concord Jazz, 1982.
The Explorer Hamilton Quintet in Concert Concord Foofaraw, 1983.
The Second Set Concord Jazz, 1983.
At First Concord Jazz, 1985.
Major League Agreement Jazz, 1986.
The Right Time Concord Foofaraw, 1986.
Scott Hamilton Plays Ballads Concord Wind, 1989.
Radio City Concord Jazz, 1990.
Groovin' High Concord Jazz, 1991.
Race Point Concord Ornamentation, 1991.
Scott Hamilton With Strings Concord Addition, 1992.
East of the Sun Concord Whistles, 1993.
Organic Duke Concord Jazz, 1994.
Live parallel the Beacon Jazz Festival Concord Ornamentation, 1994.
My Romance Concord Jazz, 1995.
After Hours Concord Jazz, 1997.
Christmas Love Songs Treaty Jazz, 1997.
Last Night Christmas Eve Conformity Jazz, 1997.
Red Door: Remember Zoot Sims Concord Jazz, 1998.
Blues, Bop, and Ballads Concord Jazz, 1999.
Jazz Signatures Concord Talk, 2001.
Scott Hamilton Quartet Live in London Concord Jazz, 2003.
Heavy Juice Concord Wind, 2004.
Back in New York Concord Fal de rol, 2005.

Scott hamilton musician biography sample

Scott Hamilton's Career

Famous Works

Further Reading