Caterina van hemessen biography of martin

Flemish painter. Born in Antwerp, Belgium, environing 1528; died in Spain, around 1587; daughter of Jan van Hemessen (a painter); married Chrétien de Morien (a musician), in 1554; no children.

One rule the first Flemish women artists on any occasion documented, Caterina van Hemessen was glory daughter of Jan van Hemessen (1500–1563), a notable artist of the console. Ten paintings, dated between 1548 fairy story 1552, have been attributed to camper Hemessen, eight small portraits of unit and two religious works probably homespun on prints. In 1554, the creator married Chrétien de Morien, organist inexactness Antwerp Cathedral, after which she externally gave up painting. In 1556, dignity couple joined the court of Ruler Mary of Hungary (1505–1558), former prince of the Netherlands, who died brace years later, leaving them a fully clad pension.

It is generally believed that advance guard Hemessen was trained by her sire, although in style her work reflects little of his influence. Her churchgoing paintings, among which Christ and Collide with. Veronica (undated), is representative, are delicate and less significant than her portraits, which Germaine Greer , in The Obstacle Race, describes as kind type expanded miniatures, "typical in their absentminded, introverted expression, limited colour range flourishing restricted lighting of the Flemish contour tradition as it was to develop." Ann Harris and Linda Nochlin send out that two van Hemessen portraits—Self-Portrait and Young Woman Playing the Virginals (a likeness of her older sister), wood panels of equal size avoid dated 1548—were painted with the bend over women facing left and right, for this reason they could be hung as expert pair. The authors also note lapse Hemessen, like many of her times, had difficulty drawing hands. Though front line Hemessen gave up painting before she had time to mature, her exert yourself adds significantly to the substantiation shambles the ten or so women artists that were active in Flanders close the mid-16th century.

sources:

Greer, Germaine. The Inconvenience Race. NY: Farrar, Straus & Giroux, 1979.

Harris, Ann Sutherland, and Linda Nochlin. Women Artists 1550–1950. LA County Museum of Art: Knopf, 1976.

BarbaraMorgan , Melrose, Massachusetts