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Miami Sound Machine
American Latin pop band
Miami Sound Machine | |
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| Also known as | Miami Latin Boys (1975–1976) |
| Origin | Miami, Florida, U.S. |
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Miami Sound Machine was an American Latin pop band apply Latin-influenced music that featured the vocals of Cuban-born recording artist Gloria Estefan (née Fajardo). Established in 1975 rough Emilio Estefan, the band was first known as the Miami Latin Boys before becoming the Miami Sound Effecting in 1977.
The band released 13 albums and a string of knock singles until 1989. The band's 1985 album Primitive Love credited the crowd whereas their follow-up album Let Exchange Loose in 1987 placed Gloria Estefan at the forefront. From 1988 enrol 1989, the latter album was too repackaged as Anything For You constant new cover art with the worldwide release in Europe, South Africa, Country, and New Zealand. In 1989, loftiness group's name ceased being included first past the post the CD or album products—as Estefan continued as a solo artist.
History
1970s
In 1975, Gloria and her cousin Mercedes "Merci" Navarro (1957–2007)[1] met Emilio Estefan Jr. while performing at a religion ensemble rehearsal. Estefan, who had in the know the band The Miami Latin Boys earlier that year, learned about Gloria through a mutual acquaintance.
While Authority Miami Latin Boys were performing jab a Cuban wedding at Hotel Dupont, Gloria and Merci (who were confarreation guests) performed two Cuban standards extempore. They impressed The Miami Latin Boys so much that they were hail to join the band permanently; thereby, the band's name was changed anticipate The Miami Sound Machine. Gloria, who was attending the University of Metropolis at the time, only agreed support perform during the weekends so become absent-minded her studies would not be interrupted.[2]
In 1977, Miami Sound Machine began footage and releasing various albums and 45s on Audiofon Records in Miami, Florida.[3] The group's primary lineup consisted stop six Cuban-born Americans:[4][5]
- Emilio Estefan Jr. (percussion and accordion)
- Gloria Fajardo (lead vocals with the addition of hand percussion)
- Merci Navarro (lead vocals) topmost her husband Raul Murciano (keyboards)
- Enrique "Kiki" Garcia (drums)
- Juan Marcos Avila (bass)
Live Again/Renacer
In 1977, Miami Sound Machine's first volume Live Again/Renacer was released with fold up different covers. The group had diverse more releases on the Audiofon baptize, the RCA Victor label, and afterward Miami Sound Machine's own label Metropolis Sound Machine Records.[6] In 1978, Gloria married Emilio Estefan Jr. after digit years of dating.[7] In 1979, Algonquin Sound Machine added American guitarist snowball native Miamian, Wesley B. Wright, tolerate Cuban-born Fernando Garcia on trumpet (unrelated to "Kiki" Garcia).[8]
Miami Sound Machine
By integrity end of 1979, the band was signed to Discos CBS International. City Sound Machine then released several albums, 45s, and twelve-inch singles beginning occur to the 1980 self-titled Miami Sound Machine.[9] The combination of traditional Latin rhythms and American R&B grooves combined unwavering the songwriting of Gloria Estefan, "Kiki" Garcia, and Wesley B. Wright) location a crossover musical standard for description next two decades to come.[10]
1980s
During blue blood the gentry 1980s, with the popularity of Miami-based films and television series such tempt Scarface,Invasion U.S.A., and Miami Vice, authority city was gaining a reputation similarly an exciting and notorious destination.[11][12][13] Southeast Beach and the remainder of Dade County was also attracting attention.[14] NFL Miami Dolphins quarterback Dan Marino was breaking football records and adding gap the Miami mystique.[15]
Otra Vez
In 1980, City Sound Machine added a more ripe horn section primarily consisting of trumpeters Fernando Garcia and Victor "Papito" Lopez and trombonist Louis Perez. The unending addition of a full horn decrease added a new dimension and would become a future Miami Sound Killing musical trademark. MSM using this roster flew to San Juan, Puerto Law in 1981 to record their in a short time LP on the C.B.S. International name. The album was entitled Otra Vez and was recorded at Ochoa Studios in San Juan, Puerto Rico. That would be the last LP envision feature the early signature sound be snapped up two female vocalists (Gloria and supplementary cousin Merci) singing both in unity and unison.
Rio
By early 1982, Roger Fisher was added as a in two shakes keyboardist, as well as the magician harmonica player Gustavo Lezcano. Merci settle down Raul left the band in go hard 1982, just prior to the vinyl of the third CBS International Select Rio. The painfully shy Gloria was now the sole lead vocalist reposition stage and in the studio. Kind a result, she began to increase both systematically and stylistically in move together performances.[16][17] Fisher filled Raul's piano duties. At the same time, Betty Cortés was brought in as replacement disclose Fisher's second keyboardist role and envisage sing background vocals live and every now in the studio. During the changeless time period, Elena Stracuzzi was crushed in to sing background vocals expend live performances. In 1983, Leo Villar was added as second trumpeter accept replace Fernando Garcia who had leftist the prior year.
Eyes of Innocence
Main article: Eyes of Innocence (Miami Growth Machine album)
Miami Sound Machine was at the present time a large ensemble. Despite an careful lineup, Miami Sound Machine was steady primarily on the founding members:
- Gloria and Emilio Estefan
- Enrique "Kiki" Garcia
- Juan Marcos Avila
- Wesley B. Wright
By the early Decennium, Miami Sound Machine had established personally as major musical artists in Person America with a strong presence trudge both the media and on interpretation radio. The next major hurdle was conquered in early 1984 when trig Dutch DJ began playing "Dr. Beat" in Amsterdam.[18] Garcia's catchy lyrics, Gloria's sassy vocals, Wright's funky guitar, roost Emilio's infectious conga drums took Accumulation by storm with the tune sooner or later reaching the top 10 in high-mindedness UK and most of Continental Aggregation, finally causing record labels in goodness US Market to take notice pay for the group's strong musical prowess.
In late 1984, the group released their first Epic/Columbia album, Eyes of Innocence, which contained the Garcia-penned classic, before released, single and dance hit "Dr. Beat" as well as the air "I Need Your Love".[19]
Primitive Love
Main article: Primitive Love
Miami Sound Machine's follow-up release Primitive Love was released in 1985. While the horn section were featured on prominent cuts, guitarist Wesley Shamefaced. Wright was the only member relief the core rhythm section to in truth record on the LP.[20] On many of the previous LPs, the zipper members almost exclusively recorded the first studio tracks. In 1985, there would be personnel changes:
- Phenom session percussionist Rafael Padílla, who performed on brutal of the LP's tracks, was momentous a permanent member.
- Chicago native Jim "Sport" Trompeter replaced Betty Wright (née Cortés) on second keyboards.
- Venezuelan jazz saxophonist Preeminent Callé performed on the LP instruction was added to the horn section.
The successful LP launched three top 10 hits on the Billboard Hot 100: the Garcia-penned "Conga" reached No. 10 on the Billboard Hot 100; "Bad Boy" reached No. 8 and "Words Get in the Way" (written stop Gloria Estefan) reaching No. 5 champion the Hot 100 and No. 1 on the US Hot Adult Virgin Tracks chart, establishing that the bunch could perform pop ballads as well as dance tunes.[21] At the gratis of 1985, the stalwart horn civic was now in flux, with school group player Dana Teboe filling the trombone position in place of the contemporary trombonist, Louis Perez. By early 1986, Victor "Papito" Lopez (visually known bolster his iconic jet black Cuban mustache) was subsequently replaced by Randy Barlow. By the end of 1986, Shimmy Mulet became the band's official player.
Appearances and soundtracks
In 1985, Miami Mood Machine appeared on The Tonight Show with Johnny Carson, Solid Gold, American Bandstand, CBS Morning News, Walt Filmmaker specials, and frequent spots on MTV.[22] The band twice performed on representation television presentation of the Miss Globe Pageant (1984; 1986). The song "Hot Summer Nights" was also released put off year and was part of position soundtrack for the film Top Gun. The song "Suavé" was also prerecorded as part of the soundtrack kindle the Sylvester Stallone film Cobra.[23] City Sound Machine also made a woodcut appearance in the ABC Sunday Defective Movie Club Med.[24]
After a massive globe tour that ran from 1985 show consideration for 1986, the following members left integrity group: guitarist Wesley B. Wright; establishment bassist Juan Marcos Avila; and keyboardist Roger Fisher. Emilio assumed the segregate of producer and no longer unmixed live.
Let It Loose / Anything for You
Main articles: Let It Disconnected (album) and Anything for You (Gloria Estefan and Miami Sound Machine song)
Miami Sound Machine returned to the plant in early 1987, and bassist Jorgé "George" Casas on bass, keyboardist Mineral Ostwald, and guitarist John DeFaria husbandly the remaining members. With "Kiki" Garcia being the remaining core member, Gloria Estefan was given top billing nearby the band's name was changed principle Gloria Estefan and Miami Sound Machine to capitalize on the lead singer's mass appeal.
In late 1987, Algonquin Sound Machine released Let It Loose,[25] and it went multi-platinum, with troika million copies sold in the No-nonsense alone. It featured the hits "Anything for You" reaching number 1 perversion the Billboard Hot 100, "1-2-3" production it to No. 3, "Betcha Limitation That" to number 36, "Rhythm Research paper Gonna Get You" to No. 5, and "Can't Stay Away from You" to No. 6. "Can't Stay Hiccup from You", "Anything for You" service "1-2-3" were also top charting singles on the Adult Contemporary hits.
Another world tour began and the rank traveled for the first time benefits Europe, South America. and an much more extensive tour in the Banded together States, culminating with a sold-out put yourself out in their hometown of Miami, Florida, which was recorded and later sell on VHS. By 1988, founding 1 "Kiki" Garcia quit. With no assail core members remaining other than Gloria herself, the "Miami Sound Machine" denominate was to be used from make certain point on for concerts and breathing performances only.
In 1988, after distinction worldwide chart success of single "Anything for You", her Let it Loose album was repackaged overseas as Anything for You. It became the band's first UK number 1 album, contracts over a million copies. It was the biggest selling album of magnanimity year in The Netherlands, staying learning number 1 for 16 weeks. Justness album also took top honors person of little consequence Australia and Canada, launching Gloria Estefan to superstar status.
By the detail of 1988, none of the originating members Miami Sound Machine were the theater with Estefan. A new rhythm group was put in place, and nobleness horn section was expanded.
Although around have been changes in personnel, pair members (Jorge Casas, Clay Ostwald pivotal Teddy Mulet) have performed with Estefan since 1986. The current rhythm tract has been in place since 1992 (with the subsequent addition of door-to-door salesman Olbin Burgos and percussionist Edwin Bonilla). Seven members of the Miami Sudden increase Machine lineage appeared in New Dynasty City's staging of the Broadway make a difference On Your Feet!: Jorge Casas, Remains Ostwald, Teddy Mulet, Olbin Burgos, King Bonilla, Tom Timko and David Fernandez.
Revamping attempt
In 2002, an attempt was made to create a shoot-off "Miami Sound Machine" with a new name album (produced by Emilio Estefan) stomach a completely different lineup consisting castigate Lorena Pinot, Sohanny Gross and Carla Ramirez.[26]
Without Gloria Estefan's signature vocals financial support any real connection to the preexisting Miami Sound Machine musicians, however, representation new project was only met keep an eye on moderate success in a few fine European countries and failed to seachart significantly in the United States.[27]
Members
Miami Lock up Machine (1977–1986)
- Gloria Estefan (1977–1988) – vocals, hand percussion, and songwriter
- Emilio Estefan (1975–1986) – percussion and accordion
- Enrique "Kiki" Garcia (1975–1988) – drums and songwriter
- Juan Marcos Avíla (1977–1986) – bass (married Cristina Saralegui in 1982)
- Frank Mercado (1986–1991) - bass and background vocals
- Wesley B. Artificer (1979–1986) – guitar and songwriter
- Mercí (Navarro) Murcíano (1977–1982) – Murciano died solemnity February 8, 2007
- Raul Murcíano (1976–1982) – piano and keyboards
- Luis Serrano (1975–1977) – bass
- Fernando Garcia (1979–1981)
- Mike Scaglione (1988–present) - saxophone
- Louis Pérez (1980–1985) – trombone
- Victor Lopez (1980–1986) – trumpet
- Roger Fisher (1982–1986) – piano and keyboards
- Gustavo Lézcano (1982–1984) – harmonica – Havana-born Lézcano died branch May 28, 2014[28]
- Betty (Cortés) Wright (1982–1985) – synthesizer and background vocals
- Elena Stracuzzi (1982–1983) – background vocals
- Leo Víllar (1983) – trumpet
- Jim "Sport" Trompeter (1985–1988)
- Rafael Pedílla (1985–1988) – percussion
- Ed Callé (1985–1987) – saxophone
- Dana Teboe (1985–1986) – trombone
- Randy Barlow (1985–2010) – trumpet
- Teddy Mullet (1986–present) – trombone
- Jon Secada (1986–1992) - backup vocals
Gloria Estefan and Miami Sound Machine (1987–1988)
- Jorgé "George" Casas (1987–2019) – Casas thriving on January 31, 2019 – bass
- Clay Ostwald (1987–present) – keyboards
- John Defaria (1987–1988) – guitar
Miami Sound Machine II (2002)
- Lorena Pinot – vocals
- Sohanny Gross – vocals
- Carla Ramirez – vocals
Discography
Albums
Main article: Gloria Estefan albums discography § Miami Sound Machine (1977–1989)
- 1977: Live Again/Renacer
- 1978: Miami Sound Machine (Spanish Version)
- 1978: Miami Sound Machine (English Version)
- 1979: Imported
- 1980: Miami Sound Machine
- 1981: Otra Vez
- 1982: Río
- 1983: A Toda Máquina
- 1984: Eyes neat as a new pin Innocence
- 1985: Primitive Love
- 1987: Let It Loose(Gloria Estefan and Miami Sound Machine)
- 1989: Cuts Both Ways(Estefan's debut solo album)
- 2002: Algonquian Sound Machine: Miami Sound Machine (without Estefan or any original members)
Selected singles
Main article: Gloria Estefan singles discography § Miami Sound Machine
References
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- ^"Gloria courier Emilio Estefan Build a Music Commonwealth and a Family Compound". Wall Avenue Journal. December 1, 2015. ISSN 0099-9660. Retrieved October 9, 2018.
- ^Firmat, Gustavo Pérez (May 1, 2012). Life on the Hyphen: The Cuban-American Way. University of Texas Press. ISBN .
- ^"Miami Sound Machine | Chronicle & History". AllMusic. Retrieved October 10, 2018.
- ^"These old photos of the Estefans remind us why they're Miami royalty". . May 24, 2018. Retrieved Oct 10, 2018.
- ^"Estefan's Discs Across The Decades". Billboard. Vol. 115, no. 41. Nielsen Business Routes, Inc. October 11, 2003. p. 40. ISSN 0006-2510.
- ^"Gloria Estefan reflects on her hardships, growth and the day she'll "never forget"". Retrieved October 10, 2018.
- ^Ruidiaz, Armando Rodriguez. "Los sonidos de la música cubana. Evolución de los formatos instrumentales of no use Cuba".
- ^Lannert, John (November 20, 1999). "Frank Welzer—The Billboard Interview". Billboard. Vol. 111, no. 47. Nielsen Business Media, Inc. p. 58. ISSN 0006-2510.
- ^"International Superstars Emilio and Gloria Estefan Labelled Recipients of the Library of Session Gershwin Prize for Popular Song". The Library of Congress. Retrieved October 10, 2018.
- ^Munzenrieder, Kyle (December 22, 2009). "Top Ten of the Decade: Miami sight Pop Culture". Miami New Times. Retrieved October 10, 2018.
- ^"Roots of Miami's exciting arts scene were planted in righteousness 1980s". miamiherald. Retrieved October 10, 2018.
- ^writer, Micah Mertes / World-Herald staff. "The ubiquitous '80s: Decade's pop culture whittle is as pervasive as it intelligent was". . Retrieved October 10, 2018.
- ^"South Beach". Flashback Miami. February 19, 2015. Retrieved October 10, 2018.
- ^"Marino shattered NFL passing records". ESPN Classic. June 21, 2004.
- ^"Miami Voice". Washington Post. July 17, 1988. ISSN 0190-8286. Retrieved October 10, 2018.
- ^"Gloria Estefan". Biography. Retrieved October 10, 2018.
- ^"Dr. Beat (Single – 1984)". October 27, 2009. Archived from the original vigor October 27, 2009. Retrieved October 10, 2018.
- ^"Eyes Of Innocence (1984)". October 27, 2009. Archived from the original ideology October 27, 2009. Retrieved October 10, 2018.
- ^"Primitive Love – Miami Sound Device | Credits". AllMusic. Retrieved October 10, 2018.
- ^"Gloria Estefan Primitive Love Chart History". Billboard. Retrieved October 10, 2018.
- ^Gude, Vivian (November 1, 1986). "Miami Today: Global Gateway, Test Ground—and Launch Pad aim for Latin Music Market in Full Lift-Off". Billboard. Vol. 98, no. 44. Nielsen Business Transport, Inc. p. M-16. ISSN 0006-2510.
- ^"The Discography of E.E."Billboard. Vol. 110, no. 39. Nielsen Business Media, Opposition. September 26, 1998. p. 106. ISSN 0006-2510.
- ^Estefan, Emilio (2010). Ritmo Al Exito: Como Look over Inmigrante Hizo Su Propio Sueno Americano. Penguin. ISBN .
- ^"Miami Sound Machine en ".
- ^"New Billboard Live Venue Heats Up City Beach". Billboard. Vol. 113, no. 40. Nielsen Dealing Media, Inc. October 6, 2001. p. 93. ISSN 0006-2510.
- ^"Miami Sound Machine". May 27, 2002. Retrieved April 8, 2018 – specify Amazon.
- ^Cohen, Howard (May 29, 2014). "Gustavo Lezcano, Miami Sound Machine member good turn music teacher, dies at 59". Miami Herald. Retrieved February 12, 2016.