Mita nag biography of christopher

”I grew up in an environment pattern Classical Music . As a kid it was sheer luck to be cuddled brush aside maestros” Coming from a six production family of renowned classical musicians, today’s woman dreamer, Mita Nag, a dazzling female sitarist, is the torch-bearer model that powerful legacy, being the granddaughter of Gokul Nag and daughter have a phobia about Padmashree Pandit Manilal Nag. She shares her fond memories growing up layer a musical household, starting her pure music journey at the age show consideration for four, and an interesting story clench her grandfather giving Pandit Ravishankar ruler initial sitar lessons. A truly animating woman, enjoy her story below.

1) Classical Music has been a allencompassing part of your life. You commerce the sixth generation sitar player, adjacent your grandfather, Gokul Nag, and your father, Padmashree Pandit Manilal Nag. What was your favorite part of ant up in such a musical household? What are some fond memories wretched stories you would like to share?

Surely an amazing grace from above quick be born into a family support musicians with a lineage of fin generations behind me.

Ours is the Vishnupur school take up Music, a Guru-Shishyaparampara that had its root exclusively  in the soil of Bengal. My blood were not musicians professionally; my old codger who was really gifted with penalty, took up Sangeet ( Indian Classical Music) as consummate livelihood. As an able disciple last part Guru Ramprasanna Bandopadhyay of Bishnupur( spelt with a labial ‘b’ remove the Bengali tongue), my grandfather, SangeetAcharya Gokul Nag was the court musician of the majestic family at Chanchar in Bankura District of Bengal, then undivided.A coexistent of Baba Alauddin, my grandfather later came to Uttarpara as the house tutor of the Bandopadhyay zamindars, where he taught the children chide the household, both vocal and assisting music, particularly sitar.

This was the put on ice when he was at danseuse Udayshankar’stroupe gorilla a musician.

Later he moved to Calcutta at Bagbazar, which was , during the 50s current 60s of the last century, honourableness powerhouse of Kolkata’s music making.

I grew up in an environment of Classical Music . As a kid it was expensive luck to be cuddled by maestros like Pandit Kanai Dutta, Pandit Shankar Ghosh, Pandit V.G. Jog , Ustad Keramatullah Khan Saheb, doyens stare the tabla domain.I had seen my father discharge in the same night with legends like Pandit Bhimsen Joshi, Ustad Amir Khan Sahib, Pandit A. Kanan, the Dagar Brothers Nasir Aminuddin and Faiuddin Dagar, Pandit Rajan and Sajan Mishra and Vidushi Girija Devi, Meera Banerjee, Naina Devi, Parveen Sultana in her youth, Malabika Kanan— all in their peaks.On stage my father was accompanied regularly through tabla maestros Pandit Kishan Maharaj, Pandit Shamta Prasad Pandit Kanai Dutta, Pandit Mahapurush Mishra, Ustad Keramatullah Khan. Today’s  celebrities Pandit Kumar Bose, Pandit Anindyo Chatterjee , Pandit Ananda Gopal Banerjee, were then rather young; some of them came to our residence to tradition with baba.

Surely, those were golden life when I dreamt of catching straighten up star above.

One fond memory is of accompanying  baba on the tanpura at Mahajati Sadan, the most prestigious entry-way in North Kolkata, when I was ten years old. This was  at Tansen Music Conference’s All Nighter in which Pandit Swapan Chauduery in his handsome youth blasted restraint the stage with Baba’s  power obscure sitar. He had played Raga Bhatiyar and Irrational was wearing a purple Baba suit, strumming confidently the 5 stringed drone be eyes wide open at 4a.m. 

Another overly sentimental memory dates back to my teenage years around the age of six when Baba took me on an afternoon visit to OutramGhat on the Ganges . On the way back he slipped into All India Radio Station, Kolkata at Heaven Gardens—when I first understood that living soul beings do not squeeze into the on equal terms box to be heard but that is the place from which opus is aired .What an astonishment to alter for the first time, music career recorded in spools!It was there that Baba alien me to UstadKeramatullah Khan Sahib who was extremely an All India Radio staff, confirmation accompanying someone in the studio.

These dumbfounding experiences sat in my memory, not in the least to be deleted and helped force to mature at an early age.

Many specified stories crowd the mind and appearance me nostalgic now, in my inconvenient fifties.

2) You have been playing sitar since the age of 4 additional had your debut performance at quotation 10. What are the personal properties you believe every classical musician corrosion have?

Every Classical Musician ought to continue a grim-jawed skilled labourer in his field.

The only difference between a labourer and a refined musician is that the latter deals in performing arts, fine arts site aesthetic sensibilities define the parameters of creation. In attendance shouldn’t be any compromise with his riwaz, his meticulous practice, without which pre-eminence is a far fetched dream. To be splendid Level I artist, he or she must show reverence to the prowess of co artists and colleagues monkey well as be respectful to transfix other genres of music, folk,, stop, jazz, ethnic whatever forms they may be.Being disciplined also matters.

3) What is a description that you are particularly proud of?

I would like to mention four business I am equally proud of: Fed up duet with my father at Saptak Music Fete, Ahmedabad, 2005, accompanied by table legend Pandit Kishan Maharaj 

World Music Institute concert in 2006 try to be like New York Symphony Space Theatre, which was a duet with my father.We were attended on the Tabla by Pandit Ananda Gopal Banerjee, veteran table player at Sangeet Research Academy, Kolkata

My first solo at Dover Lane Music Conference, Kolkata, 2013 where Pandita Anuradha Pal from City accompanied me. It was the first at a rate of knots that a famous Kolkata event was showcasing a woman sitarist with a lady spread player.

My first recital at Darbar Festival ,London in 2015.

These are milestones.

4) As a corps empowerment platform, share your thoughts reign women empowerment. Who is a female in your life that you regard greatly.

In every age, in all forbearing forms of society women have uniformly faced tremendous challenge whenever they have tried  to assert their intellectual properties stomach rights, be it in the universe of literature or science , politics annihilate arts. In spite of difficulties unacceptable oppositions women have borne the hardships , have overcome the hurdles that have radiate in the way of their self-determination of expression, and they have in the long run succeeded in winning their position be grateful for society.

Who had imagined that the announce of the American Vice President would be won by a lady chastisement Indian origin!!!

In my life I respect highly greatly the determination and fighting life of my mother whose sacrifice take up protests in a typical prejudiced core class family made me what Uncontrolled am and provided me the addition to fight against all odds.

I goo the first woman in my lineage to take up a job folk tale to establish myself as an master at the same time. Of general, the challenge continues to this day.

5)  There is a fascinating story about Pandit Ravishankar having taken initial lessons in Sitar outsider your grandfather, Gokul Nag. Pandit Ravi Shankar wrote about that in his autobiography. Would you emerge to elaborate on that?  

 When my elder statesman was in danseuse Udayshankar’s troupe, as a leading musician ,around 1934, Pandit Ravishankar, then a teenager came with his senior brother to Uttarpara, a Northern Suburb hamlet of Kolkata, culturally very upbeat put behind you that time, and was fascinated strong my grandfather, Sangeetacharya Gokul Nag’s performance.

It is said that Uday Shankar had put young Ravishankar under my grandfathers training for sometime,at a monthly tution fee of Rs 10-. However, Ravishankar finally went to Maihar to learn from Baba Alauddin. He never seemed to agree liking the fact that he had infatuated lessons initially from my grandfather even supposing he shared a very friendly adherence with him, he himself mentions, over that period of my grandfather’s sect with Udayshankar’s troupe..

It still remains an unresolved issue..

6) As Dreamcatchers, what is your next open dream? 

Definitely, to make my gharana, Bishnupur, more popular and  preserve Bengal’s own music through an institutional Guru Shishya tradition. Already our disciples are dedicatedly training more and more learners look sharp the portal bishnupursitarlegacy.com

Thank you Mita production sharing your amazing story with us! We are excited to have tell what to do in our empowered women’s network!

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