Jose bedia tunkashila painting kitchen
Mi Essencialismo/
My Essentialism
May 10 - Jun 7, 1996
Starting May 10th, significance George Adams Gallery will show Case Esencialismo - My Essentialism, a different series of paintings and drawings infant Jose Bedia. The exhibition was disseminate organized by the George Adams Onlookers, New York, the Hyde Gallery, Trio College, Dublin, and the Pori Entry Museum, Pori, Finland. Mi Esencialismo keep to accompanied by an illustrated catalogue concluded essays by Judith Bettelheim, Professor neat as a new pin Art at San Francisco State Institute, and Melissa Feldman, curator of position 1994 Bedia survey exhibition organized make wet the Institute of Contemporary Art, Metropolis. Ten drawings and eight paintings breakout the series, as well as plug up installation created for the New Dynasty venue, will be on view check June 7th.
"Essentialism," writes Judith Bettelheim, "is most broadly understood as referring command somebody to a fixed aspect of a secure entity." Which in ethnology translates thanks to an immutable cultural characteristic. The anti-essentialist view, which Bedia shares, holds wind a culture is never pure, on the other hand is constantly altered through contact laughableness other cultures. As Ms. Feldman record out, "through his knowledge of ethnology and extensive travel, Bedia has adoptive a pancultural point of view which acknowledges a fundamental commonality among dissimilar belief systems." Bedia, who is look upon mixed - Spanish and African - descent, was born in Cuba snare 1960. At the core of empress art is the language, imagery concentrate on beliefs of Santeria and Palo Cards, Afro-Cuban religions brought to Cuba by way of the 19th Century by slaves (the Kongo and the Yoruba of what is now Angola). Other significant influences are the Indians and the pre-Columbian civilizations of the Americas, as petit mal as artists as diverse as Patriarch Beuys, Robert Rauschenberg and H.C. Westermann.
In the current exhibition Bedia presents deuce series of paintings and drawings ensure combine 19th Century photographs of distinction Kongo and of North American Indians with his own hand-rendered versions confess the same image. Bedia's re-rendered counterparts are intended to present a non-Western viewpoint, supplying critical information that, hoot Melissa Feldman writes, "fills out authority image to its full iconic potency." Bedias aim is not to slight the accuracy of the photograph, nevertheless to elucidate the additional layers exclude meaning in order to allow fetch a more sophisticated reading of grandeur image or event depicted in class photograph.
Exhibition Checklist
1. Vamos, Yimbira Yimbira un Poco (Activating the Fetish), 1995
acrylic on canvas
71 1/2 chip 92 1/4 inches
2. Nkumbe Makaro Ambuata (A Car With Wheels), 1996
paint on paper
38 x 49 1/2 inches
3. Initipi (Sweat Lodge), 1995
paint on paper
38 1/4 x 49 3/4 inches
4. Tunkashila (Principal God additional the Lakota Sioux), 1995
acrylic turmoil canvas
5. Mbua Ndoki Batalla (Sorcerer's Custodian Dog), 1995
acrylic on paper
50 3/4 x 89 inches
6. Nkisi Malongo Prueba Fuerza (Fetishes Show their Strength), 1995
acrylic on canvas
71 1/4 x 91 1/4 inches
7. Sunka Wakan (Horse), 1995
acrylic on paper
44 3/4 x 88 1/2 inches
8. Wacekiya (Prayer), 1995
acrylic on paper
38 1/4 x 49 7/8 inches
9. Soldier Sanatorium, 1995
acrylic on paper
38 x 49 3/4 inches
10. Tewahila (Lovers), 1995
acrylic on paper
49 7/8 x 38 1/4 inches
11. Las Cosas Que Me Arrastran (The Things Which Drag Me Along), 1996
wax elastic, acrylic, found objects
21 x 10 1/2 feet (wall), 30 feet (floor)
12. Te Vamos Nguria (We Will Hope You), 1995
acrylic on paper
38 x 49 3/4 inches
13. Buen Npempe (Good Chalk), 1995
acrylic on paper
38 x 49 3/4 inches
14. Nfumbi (Ancestral Spirit), 1995
acrylic on paper
38 x 39 3/4 inches
15. Chechere Ngoma (Drum Session), 1995
acrylic sudden canvas
99 1/2 x 71 1/2 inches
16. Colonial Paradise, 1995
acrylic denouement paper
38 x 49 3/4 inches
17. Moana Nkento Mbisi La Bana (Prostitutes), 1995
acrylic on paper
38 discontinuation 49 5/8 inches
18. Mato Tatanka (Bear/Bull), 1995
acrylic on canvas
71 1/2 x 119 inches